描写19世纪四十年代俄罗斯伟大的杰出的思想家和文学批评家别林斯基一生追求真理，反对沙皇专制和农奴制度向敌斗争的伟大事迹。 十九世纪四十年代，是俄国农奴制度接替时期。当时反农奴主、反地主的自发性的家民暴动蔓延全国，沙皇尼古拉一世为了保持摇摇欲坠的王朝不被推翻，而对革命运动进行残暴的镇压。 沙皇的镇压并没有摧毁了俄国革命运动。相反地在俄国知识界里却涌现了大批的优秀的革命民主主义者参加并领导了反农奴制的解放运动。别林斯基就是其中杰出的领导者之一。 别林斯基通过他的批评文学、政论文学体无完肤的揭发了沙皇专制政体，农奴制度的腐朽，暴露了人民大众生活贫困的社会根源，并号召人民为解放事业斗争。 他在反对为艺术而艺术的反动文学和浪漫派的斗争中确立了文学应该是人民生活的再现，揭发反动统治的罪恶，反映人民的真实生活的现实主义文学的理论基础。促进了文学成为社会改革的战斗武器。 他的一生孜孜不倦地在追求真理，全心全意献身革命事业，他的全部思想反映了农民仇恨沙皇专制制度和农奴制度的感情，代表了他们的愿望和要求。并为呻吟在农奴制度下的人民大众寻找出一条正确的道路，那就是用暴力来推翻沙皇的专制政体，谋求社会的改革，建立一个公平合理的社会制度。在他那封有名的致果戈里的一封信里闯述了他的全部思想。这封信里为了当时革命民主运动的统治纲领。

Valery Gergiev (Gala Mariinsky II)

2015年马林斯基剧院录制的《睡美人》舞剧，由剧院艺术总监捷杰耶夫执棒指挥，由Somova和Shklyarov这对堪称俊男美女的双首席组合主演。

这是一场精彩的《天鹅湖》3D特别活动版演出，主演是叶卡捷琳娜·康达罗娃（Ekaterina Kondaurova），超模兼演员娜塔莉娅·沃佳诺娃（Natalia Vodianova）担任旁白。演出在俄罗斯圣彼得堡具有历史意义的马林斯基剧院（Mariinsky Theatre）进行现场录制。圣彼得堡是世界上最受欢迎的芭蕾舞剧《天鹅湖》的诞生地，此次演出也是为了庆祝俄罗斯芭蕾舞在冬宫（Winter Palace）那精美壮丽的环境中诞生275周年。叶卡……

圣彼得堡马林斯基剧院的这部俄罗斯版《胡桃夹子》中，柴可夫斯基的辉煌乐章、瓦伊诺宁的色彩斑斓且传统的制作，加之西蒙·维尔萨拉泽的惊艳设计，共同打造了一场如以往一样魔幻且令人难忘的圣诞盛宴。其中还包括制作录音的精彩花絮。剧本由马里乌斯·彼季帕根据E.T.A.霍夫曼的故事改编。

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

传记作家乔治赴瑞士采访卓别林（小罗伯特·唐尼 饰），后者将自己的故事娓娓道来……1894年的英国，小小年纪的卓别林已经开始为临时演员母亲救场，但失祜的困苦生活导致卓别林兄弟分离，母亲也因发疯入院。1903年，卓别林经哥哥介绍进入一家英国剧团开始自己的演艺生涯，不久他打出名号，获得美国制片厂的邀请，在美国，卓别林接触到梦幻般的电影艺术，并用自己的灵气在电影这种媒介的帮助下名利双收。卓别林无法忘记自己的出身，掌握制片权后坚持在自己的影片中加入批判精神，也因此被扣上红色份子的帽子，惹上诸多麻烦。这位卓越的电影人经历了政治打压、情人们的离去、成功与失落后垂垂老矣，他在影院看着自己当年的电影，潸然泪下...

Chapliniana is a Soviet full-length color ballet film set to music by Charles Chaplin. Choreography by Gali Abayulov, script and direction by Alexander Belinsky, starring Gali Abayulov and Yekaterina Maksimova. The film was shot by order of the USSR State Committee on Television and Radio Broadcasting at the Lenfilm studio in 1987. Gali Abayulov - Dictator and Clown Ekaterina Maximova - Prima donna Natalia Kirichek - Girl Konstantin Zaklinsky - Guy Andrey Bosov - Colonel Leonid Lebedev - Gangster Igor Solovyov - Gangster Anya Abayulova - Kid Soloists of the Leningrad Maly Opera and Ballet Theater Film crew Screenplay and production - Alexander Belinsky Choreography - Gali Abayulov Artistic director - Vladimir Vasiliev Director of photography - Henrikh Maranjyan Set Designer - Bella Manevich Author's processing - Nikolay Dranitsyn, Oleg Kutsenko Sound engineer - Larisa Maslova Academic Symphony Orchestra of the Leningrad State Philharmonic D. Shostakovich Piano part - Mikhail Aptekman Conductors - Pavel Bubelnikov, Oleg Kutsenko Director - Boris Pavlov-Silvansky Editor - Yakov Rokhlin Editing - Irina Gorokhovskaya Operators - Apollinary Dudko, A. Kudryavtsev Makeup - Irina Vasilyeva Costumes - M. Struchkova Director's group - E. Belskaya, G. Pushkova, L. Soboleva Assistants: costume designer - T. Tsareva editing - R. Khalyutina Decorator - E. Nikolaeva Lighting Master - A. Gusev Deputy Directors - M. Bochever, M. Gerasimov, V. Tarasova Director of the picture - Alexander Pikunov The film was shot on the film of the Shostkinsky p / o "Svema"

Nobody is better suited to undertake such a challenge than Valery Gergiev and his Mariinsky Orchestra. Over a period of a year all 15 Symphonies and 6 Concertos have been recorded at Salle Pleyel in Paris. What an adventure for the artists and the big production team! Never before in the history of television has something like this been undertaken including the very first “Ring” for television at Bayreuth. • Dmitri Shostakovich is arguably one of the greatest composers of the 20th century. To understand his music one needs to see it in the context of his life, his social environment, the political situation, the unbelievable brutality with which the Communist Party enforced its ideological credo and the subtle ways with which Shostakovich succeeded in combining his innermost thoughts with the demands of Socialist Realism. He was a man of many faces. And beyond any doubt Dmitri Shostakovich was a musical genius.