激烈的胜负世界和赛季幕后故事，可以确认球队和球员对棒球迷们的火热心情的体育纪录片;共有10个职业棒球俱乐部参与。

讲述了男子职业棒球界教练的竞争。

林晓夏的职业生涯被丈夫周衍在酒局上的失控彻底击碎，千万大单瞬间化为泡影。回到家中，等待她的不是歉意，而是婆婆的指责与婚姻的冰点。绝望之际，她盯上了即将到来的足球赛事，决定借势翻盘。她熬夜重构方案，周衍却在看到妻子崩溃的深夜后幡然醒悟，偷偷卖掉珍藏多年的签名球衣，只为帮她凑齐危机公关的启动资金。面对竞争对手的资本围剿，林晓夏与周衍首次并肩作战，发动球迷社群的力量，将一场商业危机变成全网狂欢。他们在一次次争吵与和解中，终于读懂彼此的坚持，也让这个家重新长出了温暖的根。

韩国首个网球综艺节目，韩国第一个获得大满贯的男选手李亨泽担当教练，艺人李伊庚出任经纪人，携手打造娱乐界最强女子网球队，挑战世界冠军。

1903年，怀特兄弟发明飞机，12秒的记录掀开人类历史新的篇章。在随后短短的十几年内，飞机行业迅速发展，飞行记录不断被刷新。1914年，第一次世界战争爆发，在此之前部分国家虽已组建空军，而在一战中飞机却较少使用。在陆军之上的年代里，尚处在初生阶段的飞机功效甚微。 一战结束，飞机业又迎来新的黄金时期，技术日新月异，民用军用都得到极大发展。转眼来到1939年，战争阴影再次笼罩世界。而在此时，飞机已经成为不可或缺的重要作战工具。 本片根据俄国人亚历山大•塞维尔斯基的同名著作改编。并于2005年荣获安妮奖特别成就奖。

Sheep #100 never gets a chance to jump because the sleeper always falls asleep before getting to him. Can he figure out a way to accomplish his lifelong dream, while still staying humble?

Ernesto is unappreciated by those around him, but all of that will change when three, peculiar, new friends appear on the scene. They will do anything to help him get his self-esteem back, even if it leads him to prison... or an early grave.

Mioka Miller，K-Number 723915，自2008年以来多次访问韩国寻找家人，但每次尝试都以失败告终。1974年，她在街头被发现，后来被一个美国家庭收养。但她不是孤儿，也没有被遗弃——那么她为什么被送到美国呢？电影《K-Number》以被送去领养的儿童的身份证号码命名。此前，Mioka在“Banet”的帮助下寻找她的生母，Banet是一个帮助海外韩国被收养者找到根的组织。这部纪录片将观众带到各种机构，从霍尔特儿童服务中心到记录办公室和社区中心，专家提供证词，无数文件被审查，揭示了“家庭购物婴儿”、“国家支持的人口贩卖”和“扫除弱势儿童”等术语背后的残酷现实。面对真相的漫长过程以轻快而坚定的步伐呈现。

Mioka Miller, with K-Number 723915, has visited Korea multiple times since 2008 in search of her family, but each attempt has ended in failure. She was found on the streets in 1974 and later adopted by an American family. But she wasn’t an orphan, nor was she abandoned—so why was she sent to the United States? The film K-Number is titled after the identification numbers assigned to children sent for adoption. It follows Mioka’s search for her birth mother with the help of ‘Banet’, a group that aids overseas Korean adoptees find their roots. The documentary takes viewers through various institutions, from Holt Children’s Services to record offices and community centers, as experts provide testimony and countless documents are examined, uncovering the harsh realities behind terms like “home shopping babies,” “state-sponsored human trafficking,” and “sweeping away disadvantaged children.” The long process of facing the truth is presented at a brisk and determined pace. Director Jo Seyoung’s camera is relentless in its pursuit of the truth, while remaining by the side of other Miokas who are still seeking answers in Korean society.

人们会在失眠的时候数羊，而这些羊都由一位牧羊人管理。牧羊人的日常工作是帮助人们进入梦乡，六只羊是他的助手。这天晚上，他遇到了一个棘手的失眠者，来自失眠者头脑中的失眠恶魔千方百计地干扰他的工作，于是，牧羊人与失眠恶魔展开了一场激烈的对决。