轉譯自臺灣原住民雅美族（達悟族）作家夏曼．藍波安的海洋小說作品《黑色的翅膀》，這部沉浸式紀錄片透過 AI 語音辨識驅動，將觀眾的閱讀轉化為集體文學儀式，交織原著朗讀、作者訪談與視聽動畫，構築出一段如同長者低聲回憶、緩緩說故事般的敘事體驗。觀眾將在混合實境與投影空間之中，與作者的聲音及記憶產生共鳴。

Ernest, a renowned architect, lives only for his work. One day, he receives a call from the Swedish police that prompts him to embark on a long journey to Kiruna, in Lapland. There, he must identify the body of a complete stranger, his son whom he never knew.

Ernest Toussaint, a renowned architect, lives for his work and - it could even be said - hides in it. He has a life companion, Victoire, in whom he only takes a distracted interest. One day, the bossy, haughty Ernest receives an unexpected call from the Swedish police, which will - although he does not know it yet - transform his life.

不知自己在倫敦住了多久，馬躍獨自帶大台英混血的女兒里奈。來自太平洋的呼喚，一次又一次帶他穿越時空。不諳英語的馬躍與不識阿美語的里奈，在陌生又熟悉的城市裡，變成最親近的陌生人；在思念彼此的超現實幻境中，相認相隨。

1）沙滩上，一小截断木随着海浪滚来滚去，不得自主。在不断拍打之下，它最终断为两截，朝着不同的方向各自行进；2）蓝天白云，和风拂面。人们悠闲地在海边散步，他们欢声笑语，无忧无虑。海鸥在天空自由地鸣叫，一切似乎都是那么祥和、宁静；3）空旷的海边上，六条小狗在这里游戏嬉耍，似乎没有人能够搅扰它们的快乐；4）鸭子们迈着凌乱的步伐从这头走向那头，再从那头奔向这头，谁也不知道它们想些什么，或者只是沉迷于这样的行动；5）深夜，蝉鸣、虫鸣、蛙鸣，风声、雨声、水声，大自然的万物在这一刻演绎了绝佳的协奏曲。 本片为伊朗著名导演阿巴斯向小津安二郎的致敬之作。

1）沙滩上，一小截断木随着海浪滚来滚去，不得自主。在不断拍打之下，它最终断为两截，朝着不同的方向各自行进；2）蓝天白云，和风拂面。人们悠闲地在海边散步，他们欢声笑语，无忧无虑。海鸥在天空自由地鸣叫，一切似乎都是那么祥和、宁静；3）空旷的海边上，六条小狗在这里游戏嬉耍，似乎没有人能够搅扰它们的快乐；4）鸭子们迈着凌乱的步伐从这头走向那头，再从那头奔向这头，谁也不知道它们想些什么，或者只是沉迷于这样的行动；5）深夜，蝉鸣、虫鸣、蛙鸣，风声、雨声、水声，大自然的万物在这一刻演绎了绝佳的协奏曲。　　本片为伊朗著名导演阿巴斯向小津安二郎的致敬之作。

我们即将开始一场旅行。我们要去探索宇宙中的奇观，直面宇宙中的危险。那里既有美丽的新世界，也有令人畏惧的神秘力量，还有时间的起源，以及世间万物的终结。我们要离开地球，出发前往宇宙边缘。

今年，汉内斯和琪琪选择了以巧克力和薯条闻名世界的比利时，作为他们每年与最好的自行车车友年度骑行的目的地。汉内斯的这个选择其实别有用意。启程后，他才告诉朋友自己患上绝症。最开始，他的朋友完全被震惊了，感觉非常无助，但随着他们的旅行逐渐展开，他们开始拥抱一次意义非凡的冒险。

On April 26, 2012, six people entered an Isolated Confined Environment with the mission to simulate a trip to Mars. Their mission was a catastrophic failure.

This short animated piece captures the very spirit of film making...it is all real in the end. A young boy, after watching a serial about adventures to Mars decides he wants to go to Mars. The boy's grandfather, equipped with a special '56 Ford F-100 tow truck takes the boy to Mars. The boy returns to his home knowing he had been to Mars. Others doubt his story. Story telling is meant to inspirational (I don't mean the pallid goody-two-shoes sort of inspiration, rather inspiration -synonymous with moving, or activating). At its heart Viaje a Marte confirms that while the cold hard facts of our lives may be debatable, the ability to find a spirit to our dreams is what makes a life. Being animation this "story" is told through the narrative of the film, but as well through the brilliantly characterized faces (including the "face" of the F-100). See it if you can.