这是一部非常扎实的从观察入手，通过摄影机分析记录世界，凝汇成一部动人影像论文的作品。影片分三幕细细描绘了动物、植物和矿物世界，大量档案资料、现代技术和专家分析在散文般的叙述中缓缓道来。在这部内容极为丰富的影片中，创作者采用了一种非人类中心主义的视角将动植矿物进行了重新定位。原来，植物在多个方面都超越了人类，石头亦有其独特的存在价值。

这是一部非常扎实的从观察入手，通过摄影机分析记录世界，凝汇成一部动人影像论文的作品。影片分三幕细细描绘了动物、植物和矿物世界，大量档案资料、现代技术和专家分析在散文般的叙述中缓缓道来。在这部内容极为丰富的影片中，创作者采用了一种非人类中心主义的视角将动植矿物进行了重新定位。原来，植物在多个方面都超越了人类，石头亦有其独特的存在价值。

The picture of a series of seemingly identical houses under the mist of Nizhni Taguil, in that Asian part of Russia that is both beautiful and desolate, shows a city frozen in time and a group of young artists that seem to be in the same tune. There is among them a kind of solidarity to face unease –they gather to sing, dance or reflect on the future (or lack thereof) in the city that shelters them. In his fourth feature, Vadim Kostrov accompanies these melancholy characters over the course of one summer, with the aim of exploring their aspirations in a context that proves unfavorable to them. In each of the film’s scenes, all of them tainted with genuine warmth, the director confirms his remarkable capability to turn that feeling of emptiness into cinema. Orpheus is, ultimately, the final depiction of young people about to penetrate into the meandering path towards adulthood.

The picture of a series of seemingly identical houses under the mist of Nizhni Taguil, in that Asian part of Russia that is both beautiful and desolate, shows a city frozen in time and a group of young artists that seem to be in the same tune. There is among them a kind of solidarity to face unease –they gather to sing, dance or reflect on the future (or lack thereof) in the city that shelters them. In his fourth feature, Vadim Kostrov accompanies these melancholy characters over the course of one summer, with the aim of exploring their aspirations in a context that proves unfavorable to them. In each of the film’s scenes, all of them tainted with genuine warmth, the director confirms his remarkable capability to turn that feeling of emptiness into cinema. Orpheus is, ultimately, the final depiction of young people about to penetrate into the meandering path towards adulthood.

A young woman disguises herself as a knight to expose a gold-digging man divided between her and a Countess.

装置影片

装置影片

克里斯托弗（本尼迪克特•康伯巴奇 Benedict Cumberbatch 饰）是个信仰骑士时代的传统道德的贵族绅士，正直隐忍，洁身自好。而西尔维亚（丽贝卡•豪尔 R…

A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in.

A stationary camera looks across a busy corner toward a store front marked "The Divan." The words "des fees" are beneath. A cortege of Arabs, about 20 persons in the party, walk past; the dignitaries are in front, attended by men with horns and drums. Coming in the other direction are local Swiss, who pay little attention, and a group of native-garbed Africans. The dozen or so well-dressed denizens of Geneva who are sitting on the steps of the Divan take it all in.