在总统的一次突发访问中，51区陷入了黑暗。这就得靠一队行事疯狂的雇佣兵去查明究竟发生了什么，搞清楚基地的500名雇员去向何方，还要从一股控制着基地的超自然力量手中救出总统。

随着手机功能的不断强大，人们对手机的依赖也越来越大。挤公交、工作、谈恋爱、吃饭、睡觉......生活里的每个缝隙几乎都被手机填满了，不知不觉，它成了人们生命中“最重要的人”。然而许多人在社交网络里广结朋友，和陌生人侃侃而谈，在现实生活中却沉默少语，对社交产生恐惧。这不禁让人感慨手机到底是拉近了人与人之间的距离，还是使人们渐行渐远了呢？我们的动画作品就是针对当今的这个社会现象创作的二维动画短片。

一个人被困在电梯里。

这是一个机不离手的世界，除了小孩以外，人们的脊椎都因长期玩手机导致严重变形。这一天，小男孩在父母的带领下出门祭拜已故的爷爷，一路上他看到人们因为手机发生的种种令他惊奇和不解的事。一个偶然，小男孩进入到了一个新的世界，这里没有手机，只有可爱的父母、朋友和一切美好的事物。正当大家沉浸在幸福的欢笑声中的时候，一个坚硬的框框将这一切框住，变成了一个手机游戏软件。小男孩最终回到现实，玩着手机，脊椎已变弯。

Ben Rivers' films study the otherworldly, looking for places and stories outside the daily conventions of reality. Look Then Below was filmed in a Somerset transformed into a coloured, mist-enveloped island in an oily ocean with a cave basking in a subterranean glow. Time seems to stand still there. After Slow Action and Urth, this is the final part of a trilogy developed with American SF author Mark von Schlegell.

A rare work of art, a deeply personal, highly intimate account of a life affected by domestic violence. “When I left the island where I was born, it wasn’t a departure, it was an escape. Years later, I arrive on another island, a barren place that feels strangely familiar. I have come here for an encounter with a man. He says he is willing to expose the violence that he carries within. But when I venture to get closer to the harmful, desperate man, I realize that he also holds the key to my deepest fears, echoing in the violence of my own past. Now his story will never be separated from mine.” An aspiring young woman filmmaker combines the story of a perpetrator and her own experiences with violence in a poetic film that offers insight into the causes and consequences of abuse, triggering our subconscious in a register that only cinema can approach. 源自：https://www.filmfestival.gr/en/section-tiff/movie/1267/14817

今年秋季一部《午夜灵异录像》（Paranormal Activity）以一万多美元的超低成本在北美取得了一亿多美元的票房回报，让人啧啧称奇。眼下该片导演Oren Peli已经和派拉蒙公司再度签约，将让他们继续来发行自己的新片《51区》（Area 51）。 和《午夜灵异录像》一样，《51区》也是超自然惊悚片，不过其成本已经大幅攀升到了500万美元，尽管和别的影片比起来仍然属于低成本，但这已经是其前作成本的百倍了。《51区》讲述的是3个青少年受好奇心驱使溜进了位于美国内华达沙漠内利斯空军基地俗称51区的地方，外界盛传美国军方在这里掩盖了外星人存在的证据。 据透露，派拉蒙是在前不久的美国电影市场展会上达成这一协议的，他们将联合Incentive电影娱乐公司和Aramid娱乐公司，为这部《51区》及可能的续集提供高达七位数的拍摄资金。目前《51区》已经拍摄完毕，正在进行后期制作，预计明年就能和观众见面。另外，完成该片后导演Oren Peli还将为派拉蒙制作《午夜灵异录像》的续集。

神秘的51区，因与高科技以及外星人紧紧联系在一起，所以数十年来始终是人们倍感好奇的一个所在。21世纪的某天，军方迫于美国民众的压力，决定首次将51区对外开放。不久，媒体人山姆·惠特克（约翰·西亚 John Shea 饰）和克莱尔·法伦带着各自的团队来到位于51区的美军基地，而负责充当向导的罗纳德·马丁上校如临大敌，他不仅要让这几个记者感到空前的透明和震撼，还要竭尽全力保住军方最为紧要的秘密。与此同时，51区关押着一个25年前抓获的外星人，代号“0号病人”，他可以幻化成任何人的模样，并模仿对方说话。就在51区对外开放的这天，0号病人伺机逃出了牢房…… 本片为syfy电视台拍摄的电视电影。

Thomas (Juliano Mer) and his sister Mariana (Semadar Kilchinsky) have arrived together in Tel Aviv and set up housekeeping in the sleazy side of the city. Thomas makes his money as a "kept man" for two different women who are nightclub entertainers. At the same time, he attracts the attentions of an amorous transvestite. His unnatural love for his sister goes unexpressed, but his jealousy cannot be controlled. If his sister wants to lead any sort of a normal life, it will be up to her to break her dependence on her brother and move on. The films of Hungarian born Amos Guttman, who died of AIDS in 1993 at the age of thirty-eight, were among the first to depict gay life in Israel, but they did so from such a lachrymose perspective that they often garnered more criticism than praise in many Israeli gay and lesbian circles. In his films the protagonists are hopelessly caught in vicious circles of sexual and emotional exploitation. One could approach Guttman’s thinking in a variety of ways. On the one had, he was the product of a time when homosexuality was repressed and marginalized, so his cinematic response might be seen as entirely logical. To purge Israeli society of its internalized homophobia required an unapologetic look at the potential “monsters” that it had created. Similarly, one finds in Guttman a vision of sexuality that was concerned, not with normalizing gayness within existing social structures, but rather with shattering those structures and substituting alternatives in their place.