『初恋地獄篇』の羽仁進監督による青春映画。8ミリを携え旅に出たふたりの女子高生の夏休みを描く。旅先で死んだ親友・草子の荷物を手に東京へ戻った玲子。玲子の瞳の奥に何かが秘められているのを直感したクラスメイト・下村の目に映ったものとは…。

59年嘎钠金棕榈提名。Rooted in a farming culture and lifestyle, this routine drama by director Veljko Bulajic focuses on the interactions of a varied group of peasants as they are uprooted from their ancestral homes and packed off to new and better farming lands. Along the way, some travellers have time to enter into or continue a romantic liaison, while everyone responds in different ways to their forced migration. Vlak bez voznog reda was entered as a competing film in the 1959 Cannes Film Festival. During the 1950s foreign directors came to Yugoslavia to make films that they were not able to make in their own countries for cultural or political reasons. In 1959 Veljko Bulajic (one of De Sica's assistants) made Vlak bez voznog reda (Train without a Timetable), a neo-realistic epic about the transferral of whole villages from the poverty-stricken coastal regions of Dalmatia to the fertile plains of Vojvodina. By far his best film to date, Vlak bez voznog reda was made in the days before Bulajic embarked on a career making big budget international co-productions (usually glorifying the major battles of the Partisan war and the exploits of Comrade Tito). The participants in this great migration travelled in freight cars with their few possessions. These trains travelled very slowly and their frequent stops allowed them to meet new people and undergo hitherto unknown experiences. Thus, the film becomes a picture about the possibilities of a better life for the travelling peasants, and about their desires and aspirations for their new land. A film that explores human dignity, at times harshly realistic and bursting with the bitter mirth and acrid coarseness of the rough, volatile, and high-spirited people of Dalmatia, Vlak bez voznog reda is one of the best films of its time.

Boy meets girl, boy falls in love with girl, girl suffers an obsessive compulsive disorder, boy and girl live happily ever after.

解放前,杂乱的上海街头,饥肠辘辘的流浪儿小牛偷了万老头修表铺中一块金表,他的小伙伴大猫和小耗子为之眼红,于是发生争斗,结果被带往警察局拘押。至此,三个孩子又团结一致,发誓严守金表的秘密。 拘押期内,小牛因争食并动手打人,又被送进“儿童教养院”。教养院训导主任殷小臣发现了小牛偷金表的秘密后,便借此要侠他,唆使他盗卖院内公物,此事被院内名叫小胖的孩子发现。事发之后,教养院教导员雷春华着手调查。 小胖准备联络院内孩子揭发殷小臣,小牛却向殷小臣通风报信。殷小臣先发制人,把小胖狠揍一顿。雷教导员为人热情厚道,对小牛生活关怀备至,使小牛深受感动。最后,当小牛知道万老头因丢了顾客的金表被拘留三个月,他的孙女、小牛的好朋友翠翠孤苦伶仃,无依无靠时,良心受到谴责,终于坦白了自己的错误,并揭发了殷小臣的违法勾当。小牛的表现,得到雷春华和孩子们的谅解和欢迎。

威灵顿教授是一位从事高度机密性政府研究工作的科学家。他写信给唐宁街10号威胁说如果首相不同意他的要求，他就会在10日之内炸掉房子，这一举动受到了愚弄。当威灵顿消失之后，警报响起，很快整个伦敦陷入了对他的搜捕行动...

巨贾之女王晞为摆脱封建婚姻，以表小姐的身份来到远在他乡的永城侯府。在帮助母亲揭开往事真相的过程中，王晞经历了重重困难与挑战，面对权力的压迫与家族的背叛，她始终不屈不挠，展现出坚定的勇气与智慧。在与幕后黑手镇国公的斗争中，王晞不仅要保护自己和家人，还要帮助姐妹们摆脱困境。她的努力使得镇国公的罪行被揭露，永城侯府的冤屈得以洗清。在这期间，王晞与长公主之子陈珞之间的感情逐渐升温，二人携手共度艰难时刻，彼此支持，培养了深厚的信任与情感。最终，王晞与陈珞一同返回故乡，开启新的生活篇章。

在一位哲学教授激昂描述的过程中，Bill Viola的作品和那些关于时间的飘渺概念似乎突然变得可以被把握了。

Un père arrive chez son fils après des années de conflit et l’interrompt en plein déménagement. Vincent, le fils, réagit violemment à cette intrusion. Fragilisé, le père annonce malgré lui la véritable raison de sa visite, ce qui ravive la tension entre eux. En quelques minutes, la colère, les souvenirs et les regards mêlés bouleversent les deux hommes.

This movie depicts the confrontation between a man entangled in a despicable trap and the shadow of murderous intent, and the efforts of a journalist chasing after the truth. Due to the passage of time since the film's release, some scenes may be marred by visual and audio distortions. We apologize for any inconvenience and appreciate your understanding.