金丹若国际微电影艺术节参赛影片。

母妃暴病而亡？亲兄离奇阵亡？后台全倒了！父亲猜忌？其他兄弟想置他于死地！没有一个朝臣站在他这边？既如此，那唯有从夹缝中杀出一条血路！萧万平依靠着“傻子”人设暗中积蓄力量，一步步清理对手…

《半面人》是北京屹立互娱网络科技有限公司倾力打造的旗下首部大型成人3D武侠动画连续剧。这部动画巨制以独特的视角向你讲述明朝“土木堡之变”时期，一直守护成吉思汗“天武圣宝”宝藏的护宝一族一夜之间被屠杀殆尽后，侥幸生还的护宝一族少主乌云宗寻找仇家，追寻宝藏，并一路与伙伴和仇家之间上演的一场关于追寻和成长、爱情与友情、阴谋与背叛的精彩故事。

市井卖饼人李郎因容貌酷似太子李无道，被长公主李婉清选中充当太子替身。此前，李郎惨遭妻子金梅与奸商东楼背叛，一怒之下接受使命。在花朝宴上，他面对端王李弦的层层质疑，凭借机智勇气化解危机，真太子李无道大难不死，暗中布局，最终现身铲除奸邪，拨乱反正。李郎从卑微小贩成长为守护家国的英雄，正义终得伸张。

于月自幼被拐卖，失忆毁容，在养父母家受尽欺辱，老公时寂云误以为她的绿茶妹妹才是心中的白月光，因此对她厌恶至极。于月垂死之际被亲爹救回，真实身份竟是首富千金，也是时寂云心中真正的白月光！美貌和财富双双回归的她吊打绿茶、狠虐渣男，最终解开了被拐真相，爱情也破镜重圆。

玉灵族作为九天玄女遗脉，身负珍稀自愈仙血，为保唯一后人姬云初活命，全族甘愿牺牲落幕。为避开帝王对玉灵仙血的觊觎，免遭被囚禁放血、沦为药引的命运，姬云初忍痛自毁半脸容貌，被困深宫冷宫十年，日日隐忍求生，靠着坚韧心性在绝境中默默熬盼安稳余生。

边关昭华将军宋时之被父亲塑造成江南温婉才女，奉旨嫁给镇南侯世子肖寒临，婚后她一心求离，却意外撞见肖寒临密室里挂满自己的画像，原来肖寒临年少从军时便与她相识，多年来一直心系于她。二人携手深挖敌国的阴谋，宋时之也历经波折寻回失踪的父亲。

前世，她因早产诞下异瞳之子，却遭人陷害，母子双双殒命。重生为侯府嫡女姬无双，她决心揭开阴谋，向仇人复仇。凭借智慧与谋略，她步步为营，誓要扭转命运，守护珍视的一切。一场关于权谋、爱情与复仇的精彩故事就此展开。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.