圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一[展开全部]　圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一系列情景和人物：1944年8月10日夜晚，一个村镇必须在服从纳粹法西斯分子的暴力和逃到美军战区之间做出选择。由于所持道德观点、文化程度以及阶级的不同，村民中发生了分歧。一部分人决定和戛尔瓦诺一起逃走，另一部分则随主教去村中唯一的教堂避难。第二天，德军突然来到村庄，大肆进行搜捕，没有逃脱的人被枪杀，教堂也被炸毁，而和戛尔瓦诺一起逃走的人们，最终被美军解救。[收起部分]

简介：圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一系列情景和人物：1944年8月10日夜晚，一个村镇必须在服从纳粹法西斯分子的暴力和逃到美军战区之间做出选择。由于所持道德观点、文化程度以及阶级的不同，村民中发生了分歧。一部分人决定和戛尔瓦诺一起逃走，另一部分则随主教去村中唯一的教堂避难。第二天，德军突然来到村庄，大肆进行搜捕，没有逃脱的人被枪杀，教堂也被炸毁，而和戛尔瓦诺一起逃走的人们，最终被美军解救。详情

导演： 保罗·塔维亚尼/维托里奥·塔维亚尼/ 主演： Omero Antonutti/Margarita Lozano/克劳迪奥·比加利/ 更新： 2025-05-06 12:37:47，最后更新于 1月前 备注： HD 评价：

圣洛伦索之夜乃流星划破天空、许愿者愿望成真之夜。一个女人回想起很久以前，一群农民为了逃脱纳粹，奔走在托斯卡尼的乡间，而天空划过的不是繁星，而是闪烁的炮火。影片展现在观众面前的是一个6岁孩子亲眼所见的一系列情景和人物：1944年8月10日夜晚，一个村镇必须在服从纳粹法西斯分子的暴力和逃到美军战区之间做出选择。由于所持道德观点、文化程度以及阶级的不同，村民中发生了分歧。一部分人决定和戛尔瓦诺一起逃走，另一部分则随主教去村中唯一的教堂避难。第二天，德军突然来到村庄，大肆进行搜捕，没有逃脱的人被枪杀，教堂也被炸毁，而和戛尔瓦诺一起逃走的人们，最终被美军解救。

简介：这是一个来自15世纪意大利佛罗伦斯的家族。美第齐家族通过各种方式在欧洲崛起。通过自身的魅力、技巧、欺这是一个来自15世纪意大利佛罗伦斯的家族。美第齐家族通过各种方式在欧洲崛起。通过自身的魅力、技巧、欺诈、他们搜刮了大量的财富并拥有了前所未有的权利。是他们点燃了西方世界最重要的文化和艺术的革命――欧洲文艺复兴。但是由美第齐家族促成的这种变化终有一天会颠覆以他们的规则所统治的世界。　　美第奇家族（Medici family），或译为梅第奇家族、梅迪契家族，是佛罗伦萨13世纪到17世纪时期拥有强大势力的家族。在这个家族里产生了三位教皇、佛罗伦萨众多的统治者，并且也成为了法国皇族的最新成员。　　美第奇家族的家徽最初这个家族并不起眼（名字的起源是不定的，虽然它大概反应了医疗贸易的词汇 - medico），家庭通过银行业务积累起最初的力量。美第奇银行是欧洲最兴旺和最尊敬的银行之一。以此为基础，家庭开始在佛罗伦萨获取政治力量, 并且以后将势力扩张到了意大利和欧洲。　　...详情

导演： 贾斯汀·哈迪/ 主演： Mario Biagioli/Dr. Jerry Brotton/Ian Bustard/ 更新： 2025-05-05 22:44:44，最后更新于 1月前 集数： 更新第04集 评价：

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael.Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism.As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

导演： Waldemar Januszczak/ 主演： Waldemar Januszczak/ 更新： 2025-05-06 12:47:25，最后更新于 1月前 备注： 已完结 评价：

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of und...