林越婚后，岳母及多位亲戚借住其婚前房产，家中拥挤不堪，私人空间尽失。妻子劝忍无果，林越遂卖房并离婚。面对亲戚闹事，他报警处理并完成过户，最终摆脱混乱生活，重获安宁。

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

玛利亚（诺娜·莫尔久科娃 Nonna Mordyukova 饰）是一个土生土长的农村妇女，这一次，她搭上了火车，要进城去探望自己的女儿一家人。在火车上，玛利亚邂逅了一个长着小胡子的男人，两人相谈甚欢，并且约定在莫斯科再聚。到了女儿家后，等待着她的，是想方设法隐瞒母亲出身的女儿，对她爱答不理的孙女，以及个性傲慢瞧不起她的女婿。不仅如此，女儿和女婿之间紧张的关系也让玛利亚感到不适。 玛利亚想要劝说女婿不成，反倒惹恼了他，导致了他离家出走。为了散心，玛利亚来到街头闲逛，意外的遇见了前夫里亚宾。这时玛利亚才知道，前夫再婚后的婚姻生活很不顺心，并且他的第二任妻子也选择离开了他。

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

暂无剧情简介

陆远全款买房后，岳母甩他母亲耳光，妻子将土特产扔进垃圾桶。他强忍怒火，骗岳母一家去三亚后低价卖房，带母亲回乡下盖了三层洋楼。陈家旅游归来被新房主赶出门，又跑到乡下闹事，陆远当众亮出妻子转移财产证据，报警后对方被立案处罚，一家人财两空。

姨妈住进ICU，表姐哭着逼她卖房救母，还忆起儿时姨妈对她的“疼爱”。可她想起小时候自己只能啃鸡架，表姐却大快朵颐吃鸡腿。她戳穿表姐有车有房却想让她牺牲的想法，表姐气急败坏。之后妈妈也来劝说，她提出合理方案，表姐却带人上门撒泼，她冷静应对，这场闹剧究竟会如何收场？

晚辈劝说老人，让老人搬出宽敞的城里江景房，把房子腾出来给女方父母居住。老人表面假意应允，转头就把这套三室朝南江景房挂牌卖掉，拿到二百八十万房款，另行购置一室一厅小户型独自居住。 晚辈得知消息后上门讨要房门钥匙，想要强行占用房屋，被老人直接拒绝。老人态度明确，这套房产属于自己名下，如何处置完全由自己做主，不必听从晚辈安排。 一场算计房产的打算彻底落空，老人守住自己晚年的居所与财产。

决定变卖住房丈夫好友得知万分慌张

老板曾救工人女儿，后遭外贸危机，昔日富太闺蜜纷纷疏远。工人感念恩情，卖房联合工友凑款相助。真相大白后危机解除，妻子深感愧疚，认清虚情与真义之别。众人围坐餐桌，共同珍惜这份患难中见证的深厚情谊。