A series of vignettes is woven into a larger story in this first film to be written and directed by Juan Minon and Miguel A. Trujillo. A writer who works in a bookshop to earn a living meets a wealthy American named Kargus looking for talent to ensconce in his projected art colony in the Gilbert Islands. In order to convince the American to take him on as a good prospect, the writer promotes his own stories -- the vignettes seen in the film. One story is about a young man trying to impress his girlfriend with his new car, a car he indirectly borrowed from a rental agency. His efforts to hide the rental sign on top of the car lead to various comical posturings. Other vignettes are from the era of the Spanish Civil War, including one about two people trying to survive by hunting cats and killing them to sell to butchers. Another vignette shows pro-Franco activists eradicating anti-Franco graffiti in Madrid.

John, a young man raised by his aunt, is in love with Anna, a servant girl who is going to have his baby. He is willing to marry her but his stern aunt wants him to marry a rich girl. To separate the lovers, she arranges for her nephew to be enrolled at a university in a distant town. She then has Anna sent away to live with Torgus the coffinmaker and his mother where she will be secluded until the birth of the child. Torgus, a golemesque sort of fellow, is immediately charmed by the beautiful girl and takes pity on her. Meanwhile, Anna anxiously awaits John's return . . .

017 年起至今，王拓开启了历时四年的，有关其家乡东北的系列影像创作《东北四部曲》。多重时空之下人物活动的交叠，对中国传统文学的创造性使用和再造，一直是王拓已有实践的重要组成部分。《通古斯》为此四部曲中的第三个篇章。作品呈现了多组身处不同地理坐标的人物在各自的归乡途中所产生的时空关联。作品中的一条主要的叙事线索源于艺术家对陶渊明的两个故事《桃花源记》与《寻羊成仙》的改写，并借此探讨虚构的乌托邦与回不去的故乡间的辩证关系。

卡尔・拉格斐是全球最具知名度的人物之一，他辉煌传奇的职业生涯长达整整七十年。 他天赋卓绝、无人能及，头脑敏锐，言辞亦犀利锋芒。拉格斐扭转并重塑了香奈儿、芬迪与蔻依三大品牌的发展格局，同时打造了以自己名字命名的独立品牌；他还是享誉全球的摄影师，并创立了个人出版社。古往今来，从未有人能像他这般，不断突破时尚、文化与商业领域的边界。

Following the events of the last episode of Mot i brøstet, Karl moves out of his old house and into a new apartment in downtown Oslo. There he gets acquainted with the chairman Ulf, the janitor Smestad and the cleaning maid Mrs. Frantzen. His sister Vigdis also comes to visit frequently.

“卡尔，上！”对于现在的六零后、七零后而言，警犬卡尔——那只聪慧勇敢的德国牧羊犬，宛如正义之神的化身。每到危难时刻，它总会第一个现身，传递情报、解救人质、制服歹徒、排除障碍、锁定真凶……面对穷凶极恶的歹徒，卡尔毫不畏惧，凭借惊人的速度与力量将坏人制伏。20年前，《警犬卡尔》凭借惊险的剧情和精良的制作掀起了一阵热潮。它不只是一部极具观赏性的娱乐片，还对专业人士产生了不小的影响。许多如今奋战在警犬战线的民警，就是因为少年时看了《警犬卡尔》，才坚定了投身警犬工作的决心。

本片为电视电影，记述了法国哲学家笛卡尔（1596—1650）的杰出一生。

熟睡中的卡尔被脚步声吵醒，紧接着敲门声响起，卡尔瞬间变得紧张起来……短片《阁楼卡尔》荣获第七届三七短片汇最佳美术奖。

Shankar Dada (Chiranjeevi) is a local goon with a good heart who defends his extortion and settlement business as social service to maintain peace in society. But he pretends to be a doctor to his parents to make them contended about their son's achievement. One fine day, Dr. Rama Lingeswara Rao (Paresh Rawal) - dean of the biggest medical college in Hyderabad - exposes the real identity Shankar Dada to his parents. Gravely disappointed, Shanakr Dada's parents vow not to visit their son's place and leave him. An emotionally wrecked Shankar Dada decides to become doctor in real to teach a lesson to Dr. Lingam and his beautiful daughter Sunita (Sonali Bendre) and at the same time to prove to his parents that their son is a doctor, in deed! The rest of the film is all about how he achieves his twin targets of teaching a lesson to Lingam Mama and how he wins back the love and faith of his parents!