A study of German 19th Century Romantic art through the writings and paintings of Carl David Friedrich and his fellow artist, Carl Gustav Carus.

聚焦一个帮助100多人逃离东德的信号员。

暂无剧情简介

So What?!(2002) - A film by Benedict Mirow and Fridemann Leipold Solo Flight(1981) - A concert film with works by Bach, Shubert, Debussy, and Gulda Mozart/Gulda - Sarastro's aria "In diesen heil'gen Hallen" from Die Zauberflote Bach - Prelude and Fugue in C sharp minor BWV 849 Foderl/Marischka/Gulda - Die Reblaus Interview with Joachim Kaiser(1986)

《阴影的语言：弗里德里希·威尔海姆·茂瑙以及他的电影》的别名有：The Language of Shadows: Friedrich Wilhelm Murnau and his Films。

After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself. In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters. Curt Goetz presumes that these facets of the artist's life are the source of all anger and distress. It is the same affection with which the lead actors in Schiller's debut "The Robbers" confronted the audience at the 1782 Mannheim premiere. The audience acclaimed the play, but in his homeland the young Schiller was banned from writing and was forced to flee. The director Curt Goetz allows the actors to perform almost without pathos, which turns out to be a suitable cinematic device. The leading roles of the opponents are taken by Theodor Loos (Friedrich Schiller) and Hermann Vallentin (Duke Karl Eugen von Württemberg). The intertitles and Schiller's occasionally colourful behaviour leave no doubt about his Swabian origins. Such characterisation is sometimes achieved by the director's habit of using puns in the intertitles, the kind of jokes audiences enjoyed in subsequent talkies such as the comedies Napoleon ist an allem schuld, Das Haus in Montevideo, or Hokuspokus.

《卡斯帕·豪泽的传说》的别名有：The Legend of Kaspar Hauser。

一部意识流影片，时空不明。在一座人烟稀少的荒岛之上，一具想看起来像是死去的尸体出现在海滩上。这个人名叫卡斯帕·豪泽，他是这座岛屿的继承人，在他还是婴孩的时候由于神秘的原因消失了。仿佛是命运的安排，豪泽又活着回到了岛屿，但是他的意识一片混沌。岛上的警长收留了这名男孩，把监狱的一间房子让出来给他居住。豪泽的到来成了岛上一件稀奇的事儿，人们都对他很感兴趣，但是豪泽很快就会发现谁才是他的朋友，谁又是他的敌人。然而他在岛上停留的时间不会很长，他将很快死去并且回到他来自的地方：大海。

1944年夏一群16岁的德国少年被军队征召上前线

这是一个根据一个古老的德国传说改编的故事。很久以前有一个英雄，他叫西格弗里德。因为用龙血沐浴，他浑身刀枪不入，力大无比。有一天他邂逅了虚荣恶毒的公主克里姆希尔德而坠入了情网，决定去城堡里找她，他这一路经历了很多，遇到了好人还有坏人。米末是个铁匠，在河边遇到了飘在篮子里的婴儿，并带回去抚养，取名西格弗里德，由于西格弗里德天生神力，能一下子把人扔飞，导致善良的小村里人人都怕他。　　有一天，在森林里休息的西格弗里德，邂逅了正在树林里如厕的虚荣恶毒的公主克里姆希尔德，从此对她朝思暮想，并画了她的肖像放在床上，夜晚梦见了克里姆希尔德让他去找她，于是西格弗里德告别了养大她的铁匠米末，独自踏上了寻找城堡的路途，在途中被黄鼠狼欺骗，掉下了山崖，却阴差阳错的找到了城堡，在厨房里做工，并在厨房邂逅了善良美丽的厨房女工安妮塔，并相处的很愉快，在西格弗里德踏上寻找金矿时，还给他准备了黄油面包，西格弗里德为了解救跟随自己而来的猪（猪骑士的名字是不是这么由来的），而闯入了决斗赛场，决斗的胜者将迎娶公主克里姆希尔德，西格弗里德天生神力轻而易举的赢得了比赛，而公主对这个傻不拉几的乡下人并不感冒，此时国王提议要找到戒指才能结婚，西格弗里德踏上了寻找莱茵河金矿的道路，而国王和公主设置了一系列障碍想杀掉西格弗里德，经过种种艰险，西格弗里德成功了，但也明白公主克里姆希尔德并不是一个好人，故事的结局是西格弗里德和厨房女工安妮塔回到了小村。　　看惯了王子与公主的爱情故事，猪骑士中，骑士邂逅的公主却是个恶毒虚荣的公主，在经过一系列搞笑的场景后，猪骑士选择了与厨房女工安妮塔回到了家乡；