这部剧改编自同名漫画，是一部围绕主人公灯里的泥沼爱情悬疑片。灯里无意间与职场上司尚人发生了不伦关系，之后突然从自称“尚人的妻子”的女性那里得知他已婚，结果她失去了工作和存款。即便如此，灯里仍努力振作，换了工作重新出发，然而真正的痛苦才刚刚开始……

温寻是温氏总裁，而蓝氏大小姐蓝溪，因为需要解决自家公司危机，被迫与温寻签下结婚协议。从此蓝溪开始了水深火热的生活。

神风侯府嫡女秦菀之，为向家族复仇，设计顶替嫁给传闻中毁容暴虐的掌印太监九千岁萧珣，图谋他死后继承其颠覆皇权的密诏。她表面温顺送药实则夜夜下毒，却被萧珣识破倒掉。萧珣假扮侍卫小六监视，洞悉她纯真无害伪装下冷酷算计的本质，反生兴趣。在朝堂与家族的复杂斗争中，双方合作关系更加紧密，感情逐渐加深。她助他伪造宦官身份脱困，他教她周旋宫廷复仇。二人联手铲除腐朽世家，颠覆旧秩序，开创盛世。

艺名“毒药”（Veneno）的克里斯蒂娜·奥尔蒂斯（Cristina Ortiz）是西班牙九十年代最知名的跨性别电视艺人、LGBT偶像。她在童年时期就意识到自己的性别身份，却也因此在家乡小镇遭受了多年的歧视和攻击。1992年，28岁的克里斯蒂娜前往马德里追寻新生活，并于 不久后正式开始了性别过渡。1996年，知名电视人佩佩·纳瓦罗（Pepe Navarro）正在为他的夜间秀《今夜我们穿越密西西比》寻找新专题，当时还在马德里西部公园做妓女的克里斯蒂娜因为出众的外型、独特的言谈和率真的性格被纳瓦罗的节目组发掘，“毒药”一夜成名。而各种悲剧也在几年后接踵而至。“毒药”克里斯蒂娜于2016年10月出版个人回忆录，此书由她本人口述，由跨性别作者瓦莱丽娅·维加斯（Valeria Vegas）记录整理，可出版后一个月，克里斯蒂娜在家中不幸离世。基于这本回忆录、真实的影像资料和其他人的讲述，Los Javis带来了2020年度最值得期待的西班牙传记剧《毒药》。

爱情可以醇如佳酿，也可毒如砒霜。《毒药》要讲的就是三个离经叛道的荒诞故事。《英雄》中的英雄并非什么占士邦或铁金刚式打不死，而是一个乳臭未乾的黄毛小子。都说不可小覤新新人类的力量──年仅七岁的小主角枪杀无赖老豆，绝不手震。《可怖》向50年代经典恐怖科幻片《变蝇人魔》致敬。科学家成功研究出一个惊世实验，把人类性欲化作液体保存。三个短篇中最引起争议的，是描绘监狱另类春光的《凶毛》。一个终生囚犯不能自拔的迷恋囚友，自虐被虐共冶一炉，引人入「性」。粗犷暴烈的场面赤裸裸地冲击观众底线。三段人生，三种手法。《紫醉金迷》导演托特海恩斯就是凭本片夺得1991年辛丹士影展大奖，一鸣惊人。

One of the great late period films by Sacha Guitry — the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit — one might say by way of “the Guitry touch” — some of the most sophisticated black comedies ever conceived… and La Poison is one of his blackest.Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) — a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse — that is, the way in which he can get away with it — an acid comedy unfolds that reaches its peak in a courtroom scene for the ages.From the moment of Guitry’s trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir’s Boudu sauvé des eaux and Vigo’s L’Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration.

一个神秘男子请一个漂亮的脱衣舞娘帮助寻找他总是出现恐怖幻觉的原因所在，但是奇怪的事情发生了……

《毒瘾迷局》（Toxikoma）改编自久洛·绍博（Győző Szabó）的回忆录，故事有两位主角，一位是有吸毒成瘾问题的“阿尔法男”，另一位是伊姆雷·切尔努什（Imre Csernus）医生。

我怎么也没想过，分手这么多年后，竟然还能碰上早已成为明星的前女友。她看见我怀中抱着的孩子，第一次那么惊慌失措，质问我孩子是和谁生的！而我却是想起当年，在看见她和著名歌星挽手出席晚会时，我是多么绝望。她是万众瞩目的女神，而我只是个普通人，身份的巨大差距使我非常卑微。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.