一个讲述混乱与平静 审视与被审视 艺术与被艺术的小故事

一头牛很有冲击力地打破了命运的平衡……2010年罗马漫画上涌：国际电视和跨媒体动画节2010年德国波茨坦Sehsuchte电影节2010年德国斯图加特国际动画电影节2010年德国什未林Meckenburg-Vorpommern电影艺术节2010年意大利蒙塞利切Euganea短片及纪录片电影运动节2010年柏林第一步奖

一头牛很有冲击力地打破了命运的平衡…… 2010年罗马漫画上涌：国际电视和跨媒体动画节 2010年德国波茨坦Sehsuchte电影节 2010年德国斯图加特国际动画电影节 2010年德国什未林Meckenburg-Vorpommern电影艺术节 2010年意大利蒙塞利切Euganea短片及纪录片电影运动节 2010年柏林第一步奖

Treating language as a device of meaning, the film deals with the transposable power inherent in language itself – the value that derives from the device, rather than from the meaning. Given the opportunity to work with alluring and costly 16mm film stock within a restrictive political climate, a filmmaker reflects on the transactions made in the process of immigrating to Germany. What does one have to give up to be able to live in the “promised land”? By conceiving analogue film itself as a linguistic device, the film turns back on its own means of communication, questioning the use of film stock in current times.

两名盗贼被一个神秘装置卷入了恐怖且无法解释的事件中。

“Mr. Tsuguö Yanaï makes paper objects. He installs these objects in a gallery in Tokyo. The camera was also installed in the gallery. It filmed all of the time of installation and its preparation… Yet the film is not the documentary of an installation, but of installation time.” - Yo Ota

孤岛深宅暗藏致命陷阱，局中人命悬一线步步惊心！影片讲述了半瘫少女何思怡离家17年后，回到立于诡异孤岛的家中，迎接她的是美艳温柔的继母、风度翩翩的私人医生、年轻健硕的司机以及万般贴心的女佣，面具背后究竟藏着怎样万劫不复的深渊？一场蓄谋已久的复仇大戏渐渐拉开帷幕…

讨厌爵士的泰伊（池镐根 饰）和想自由演奏爵士的世宪（金真权 饰），因为学校课程被分到一组进行爵士合奏。就像在没有规定规则的情况下即兴演奏的爵士一样，他们想要摆脱怎样的过去？充满紧张感的爵士合奏即将拉开帷幕。

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

A reader tells a sad story to a listener, who only knocks in response.