This mystical short film has a narrator telling us about a "strange philanthropical secret society" that has been in existence for seven years at a certain building. Its members, Philokinetes, devote their energy and money to studying and promoting a fragment of film they call 'The Film to Come'. The fragment runs for twenty-three seconds and is in a loop. Thus projected, it can last for hours, days, even years. Apparently, after viewing this fragment one can become somewhat enlightened, and in a deep hypnotic state, brought about by over-repetition of the revealing fragment. As the narrator says: "Once you reach this state, you can see, so they say." The next section of the film is a watershed: for the narrator is now a different voice and telling us that the fragment has been stolen and the Philokinetes were now in a deep identity crisis. There is a large book of apocryphal wisdom shown called 'Double Book of the Dancing Mysteries' that the sect read. Knowledge derived from this book of "mumbo-jumbo and untruths" leads the Philokinetes to believe that cinema had a life independent to humans. Cinema, they said, is "the primeval soup of a new life form. Therefrom were to emerge pure screening creatures, or non topical beings. Vast sets of loops, from which everyone would own a short endless return to self." Later the Philokinetes claim that the lost fragment was found by the narrator's daughter, an event which sparks off feasts and banquets which lasted for weeks. The narrator's voice changes again as he dies whilst overlooking two priests undergoing a solemn leafing through the Double Book, after they have took a vow of illiteracy. The narrator's soul has now run away to a cinema, but more importantly, it had become a part of the fragment entitled The Film to Come. Shot mainly in black and white, Ruiz's familiar shooting style and camera angles are evident in his esoteric and interesting nine minute film.

藏匿巨额宝藏的悍匪头目北山越狱成功，带领43名持枪匪徒酝酿大案。荒芜小镇上只有夏然等三位民警，三个警察一把枪vs疯批群匪的生死较量一触即发...

在巴斯克语中，动词“heldu”有多种含义，它可以表示“持有”“成长”或“到达”。其变形“heltzear”表示“即将”做这些事。故事发生在2000年的圣塞瓦斯蒂安，巴斯克冲突正处于活跃期。15岁的攀岩爱好者萨拉一边给缺席的哥哥写信，一边为她人生中最具挑战性的攀岩活动进行训练。导演阐述……

In Basque language the verb heldu has a polysemic meaning. It can be ‘to hold’, ‘to grow’ or ‘to arrive’. The declined form heltzear means ‘about to’ all of those things. San Sebastián in the year 2000. The Basque Conflict is active. As she writes a letter to her absent brother, Sara, a fifteen-year-old climber, trains for the most difficult climb of her life. DIRECTOR’S STATEMENT Adolescence, climbing and the Basque Conflict are simply part of my biography. In Heltzear I wanted to juxtapose those three layers, without forcing any closed meanings, to see the relations that grow between them. I wanted to make a physical and sensorial film, which moves upwards, perhaps to find a more peaceful and calmer time.

一个垂暮老人回忆着那些老电影院，有的变成了书店，有的早就作废了，大有纪录片版的《天堂电影院》的意思，事实上片中的有家小影院名字就叫“CINE PARADISO”，老人回忆的不是电影院，而是自己的青春。镜头的挪动节奏动静皆宜，配乐氛围渲染恰到好处。那已成古董的锈迹斑斑的胶片放映机被再次运转起来时的情景，相信会对在露天影院看过这种放映机的上了年级的观众有所震动。最后老人将废弃的影院给重开了，街坊们都来捧场。他在片中说：我对电影院有的只有感情，而太多的人把它当作一门生意。

The Orchard打造的影片[即将远离](And Then I Go，暂译)曝光首款预告，影片由阿曼·达博、贾斯汀·朗、梅兰妮·林斯基等主演，文森特·格拉肖执导。影片根据小说《X项目》(Project X)改编。故事围绕男孩埃德温(阿曼·达博饰)和其伙伴罗兵(索耶·巴斯饰)学校生活展开。该片北美4月18日上映。

”Kohta 18” (Almost 18), director and writer Maarit Lalli’s first feature film, has received positive responses from critics and audiences. The film tells five boys’ distinct yet interconnected stories. The common denominator for the stories is not only the boys’ friendship, but the struggles they face with their parents and themselves, while they are pursuing independence. In essence the movie is about youth as well as friend and family relationships. The film manages to depict the lives of these five boys in Helsinki from a fresh perspective – the main characters are not troubled or extraordinary youths, but instead quite normal young men with everyday problems. The actors (even though they are amateurs) convince in their roles making their characters easily relatable, eliciting empathy from viewers. 《即将18 》是本片导演及编剧Maarit Lalli的首部故事片。迄今为止该片已经得到了电影评论家与观众的不少好评。该片讲述了五个男孩独特的却又互相关联的故事。将这些故事融合到电影中的是他们在追求独立时彼此间的兄弟情以及面对父母与自我时的奋斗挣扎。从本质上来说，这是一部关于青春、友情与亲情的电影。 该片成功地以全新的角度描绘了五位赫尔辛基男孩的生活：故事的主人公不是那些到处制造麻烦或者天赋异禀的年轻人，而是那些普通青年，他们遇到的是生活中常有的破事儿。通过演员们（虽然他们不是专业演员）的演绎，观众很容易产生共鸣，并能感同身受。

一群年轻的朋友必须以《书》为指导，在他们生存的眼前穿越混乱和破坏。

古沢佳子即将与唐島信人步入婚姻殿堂。然而，由于原定举行婚礼的仪式场地负责人的失误，出现了双重预订的情况，婚礼不得不延期三个月，无奈之下两人先办理了入籍手续。此后不久，佳子与前男友小田沼重逢，小田沼是她同事的异父兄长。曾经那个因散漫无责任感而导致他们关系破裂的小田沼，如今已脱胎换骨，成为了一家酒店连锁企业的优秀接班人。与此同时，佳子对信人的轻浮以及他母亲かな子对儿媳的挑剔感到幻想破灭，渐渐萌生出与信人分开的念头。 经过一番波折，佳子彻底与小田沼断绝关系，还从唐島家除了籍。但信人始终无法忘怀佳子，他热情诚恳地向佳子再次求婚，最终两人得以复合。

零氏传媒董事长的二公子零战是一个对事业毫无追求、游戏人间的花花公子，但在与父亲指派专门监督自己的秘书白露相处后，从互相看对方不顺眼，到两人之间慢慢生出暧昧情愫，共同成长、解决企业危机的故事。