《趣说历史人物》将以独特的视角，撷取人物精彩的人生片段，以其生活、性格、历史命运为中心进行阐述，展示其不广为人知的另外一面。帝王、义士、名将、草莽、布衣、红颜、才子........都将是我们野说的主角，纵横几千年，弱水三千，每一瓢都可以饮。

著名的“吐槽宗师”杰夫·罗斯将带来全新的喜剧剧集《历史名人吐槽会》，该剧集每集时长半小时，汇集了一流的喜剧演员，他们身着相应时代的服装，感怀历史上的杰出人物，从总统（亚伯拉罕·林肯）到摇滚巨星（弗莱迪·默克里），形形色色的人物都有。这部总共六集的剧集根据洛杉矶的同名真人秀节目改编，围绕“给历史上一堂课”这一主题，每集以独特的方式“猛烈吐槽”，向当代一些重要的声音致敬。《历史名人吐槽会》将于 5 月 27 日星期一在 Netflix 上面向全球首播，由知名的喜剧嘉宾明星出演，其中包括鲍勃·萨盖特、约翰·斯塔莫斯、娜塔莎·赖格罗、贾里尔·怀特、佛莱德·威拉特、尼基·格拉泽、蕾切尔·范斯坦、瑞恩·菲利普、肯·马里诺、吉尔伯特·戈特弗雷德、赛斯·格林、亚马奈卡·桑德斯和尼尔·布伦南等。该剧集由 OBB Pictures 出品。

著名的“吐槽宗师”杰夫·罗斯将带来全新的喜剧剧集《历史名人吐槽会》，该剧集每集时长半小时，汇集了一流的喜剧演员，他们身着相应时代的服装，感怀历史上的杰出人物，从总统（亚伯拉罕·林肯）到摇滚巨星（弗莱迪·默克里），形形色色的人物都有。这部总共六集的剧集根据洛杉矶的同名真人秀节目改编，围绕“给历史上一堂课”这一主题，每集以独特的方式“猛烈吐槽”，向当代一些重要的声音致敬。《历史名人吐槽会》将于 5 月 27 日星期一在 Netflix 上面向全球首播，由知名的喜剧嘉宾明星出演，其中包括鲍勃·萨盖特、约翰·斯塔莫斯、娜塔莎·赖格罗、贾里尔·怀特、佛莱德·威拉特、尼基·格拉泽、蕾切尔·范斯坦、瑞恩·菲利普、肯·马里诺、吉尔伯特·戈特弗雷德、赛斯·格林、亚马奈卡·桑德斯和尼尔·布伦南等。该剧集由 OBB Pictures 出品。

《人物》以独特视角，新颖理念，关注现当代文明进程中那些显现出智慧光芒、卓越创造力和非凡品格的人们；关注富于奇思异想，敢于超越常规，勇于挑战极限的人们。

《人物》以独特视角，新颖理念，关注现当代文明进程中那些显现出智慧光芒、卓越创造力和非凡品格的人们；关注富于奇思异想，敢于超越常规，勇于挑战极限的人们。

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作