美国医生马海德来到中国上海，经宋庆龄介绍，于1936年夏到陕北苏区进行医疗考察。在毛泽东等中共领导和红军将领以及苏区群众的感召下，他毅然放弃美国优…

1939年4月，侵华日军在南京设立了一个秘密的细菌生化武器的作战基地——荣字1644部队。它是继臭名昭著的713部队以后建立的规模更大、更为隐蔽的细菌武器基地。荣字1644部队主要是研究、培养、制造致命的细菌：霍乱（即虎烈拉）、伤寒、鼠疫等用于实战。在它存在的六年间，因试验细菌武器而杀害的人数最少为1200人，其中包含着进行惨无人道的“活体解剖”而惨死在手术台上的人。他们中间大多数是中国人，也有少数其他国籍的外国人。 1998年8月，在1644部队的生产工厂遗址挖出了几十具被支解的尸骨，至今仍可检测出含有霍乱弧菌肠毒素基因，他们就是当年被活体解剖的所谓“原木”的遗骨。 从1940年到1942年1644部队就曾数次参与了对我浙江、湖南、江西等省的细菌战攻击，造成了大规模的疫情流行和成千上万的中国民众死亡。 日本军国主义者进行惨无人道的细菌战，罪恶滔天、神人共愤。面对这段惨痛的历史，中国人民和一切正义的人们当然是刻骨铭心、永志不忘的。

两位心碎的专业人士——一位建筑师和一位编辑——在关系结束后偶然相遇。一条神秘的电话信息将他们聚集在一起，引发了一场意想不到的浪漫和治愈之旅。

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新浪潮传奇女演员安娜·卡里娜与60年代法国电影的振兴密切相关。她的现任丈夫丹尼斯·贝里讲述了她的人生故事，尤其聚焦于她对让-吕克·戈达尔和她所结识的伟大导演的回忆，同时回顾她与塞日·甘斯布难忘的会面及最近她作为歌手的职业生涯。坐在影厅的红座椅上，这位伟大的女性评论了她的电影与音乐 之旅。影片不只是为了描绘这位法国新浪潮偶像几十年来的经历，也是写给与这部纪录片导演相伴30多年的爱人的情书。

Over the course of 22 months, Johann Lurf fixed the gaze of a specially developed 65mm camera on a single fragment of the world: the Ottenstein Reservoir. What begins as a quiet observation of nature gradually transforms into a monumental image of cosmic motion. At first, the lake appears familiar – a place suspended between sky and water. But as the exposures grow longer, the dimensions themselves shift: stars begin to draw delicate lines, the sun inscribes bright arcs, the moon traces soft, almost calligraphic diagonals. The water surface becomes a perfect mirror that folds sky and landscape symmetrically into one another – above and below, light and shadow, becoming and fading. Lurf explores the relationship between vision and cosmos: the reservoir turns into a planetary clock whose hands are made of light. Finally, the panorama freezes into diagonal bands of pure light: traces written by sun and moon over many months. A film that does not narrate, but reveals how time and sky intertwine – a harmony of the world that ultimately unfolds with unexpected force.

Set in Kyiv in the late 1990s, "Forever-Forever" is an unsettling portrait of the young and rebellious as they navigate love, explore their sexuality, and play cruel games with each other, where there is never a winner. After transferring from a downtown high school, Tonia (Alina Cheban) befriends a group of badass youngsters, trying to find protection from the people from her past and a place she truly belongs. They spend time together, roaming around Kyiv's post-socialist suburbs, having fun and getting in trouble. Soon, Tonia falls in love with Zhurik (played by Zachary Shadrin who was the first Ukrainian actor ever submitted for Emmy consideration, for his role in Apple TV series Little America). When she also falls for Sania (Arthur Aliiev), she finds herself tangled up in an alluring secret love triangle. But Tonia's painful past still haunts her, challenging this newfound friendship and romance. Will she be able to find her own pass or lose herself in this new controversial relationship? Set in Kyiv in the late 1990s, this is a story of the young and rebellious amid the ruins of the Soviet regime. Those who had to grow up faster due to the circumstances but got lost in the adult world. A story of which we need constant reminding, as some things only exist at the moment, while others last forever.

外企白领苏晴的母亲刘桂兰突发脑溢血昏迷，苏晴意外发现母亲藏下父亲百万理赔款，十年省吃俭用默默资助贫困学子与孤寡老人，心愿是修建乡村图书馆。弟弟苏强贪图财产，多次阻挠、起诉争夺钱款，散播谣言抹黑苏晴筹备的桂兰公益基金会。苏晴四处寻访受助者，集齐全部善款凭证，顶住舆论与家庭压力办好公益项目。历经数月，刘桂兰苏醒，三年后众人建成桂兰希望小学，善意代代传递。

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of. It is as if Pegah, the film’s director and chief protagonist, is reading from a children’s book; as if we are looking over her shoulder at Gholam’s films of the family and the old photos. The large family radiates great warmth as we see them shoveling snow or just sitting around at home. But then comes the chapter about Gholam and the Iranian revolution, heralding a plot twist in the story that comes to symbolize thousands of Pegahs and Gholams inside and outside Iran.