導演留學愛丁堡期間遇上社區爭議︰政府因發展大學城而擱置將學生宿舍原址改建成公屋的計劃；居民感到不公，並視留學生為不速之客。議題熟口熟面，令人聯想到香港長久以來的住屋危機：外來人口與原生居民的房屋爭議，及相關政策不公義而引發的抗爭，原來大家都是命運共同體。紀錄片聚焦當地的草根住房倡導者，試圖了解衝突的源起和當今的全球住屋危機。導演在異地生活，從離散的身份中看連結，一窺香港以外的土地問題。同場放映導演前作《美好生活》，講述印尼少女從農村來港打工，受聘於一個為口奔馳的基層家庭，對照今天各族群在異地漂泊的困局。

苏晚婚后，公婆擅自入住婚房，损毁她的陪嫁物品，还伙同亲戚算计她的房产，伪造担保冒用身份借贷。丈夫周凯始终偏袒自家亲人。苏晚冷静留存录音、监控等证据，扛住造谣、职场刁难与碰瓷施压，通过正规渠道处理债务纠纷，果断与丈夫离婚，牢牢守护住个人财产，重获安稳的生活。

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 本片荣获2006年柏林电影节特别致意最佳影片奖。

这是一个多段式故事，四个人的命运相互交织，却各自有着不为人知的秘密。所有的人一边找寻着尊严，一边战胜着恐惧。

A psychiatrist uses virtual reality to probe the minds of three unsuspecting patients, unleashing horrific psychic forces in the process.

暂无剧情简介

Unpopular and down-on-her-luck, Marge is already having a tough time navigating the minefield that is her suburban high school. But Marge’s life is completely upended when her beloved mother and only champion dies in a tragic accident. With nowhere else to turn except her ultra-conservative grandparents, Marge decides instead to hunt down her estranged father, a former soccer star living in rural Mexico as a beach bum and coach to the local women’s team. Neither is ready for such a big change, but the best shot they have at fixing their past and moving forward is together.

老局长司徒强为了结多年卧底遗案，派急需用钱给女儿治病的刑警霍涛卧底犯罪团伙。霍涛伪装扒手获头目贝爷信任，过程中结识小扒手小飞。霍涛配合警方计划，意外发现贝爷勾结他人窃取商业机密。最终霍涛联合警方将所有罪犯抓捕归案，了却司徒强心愿。