少年高哲（刘松仁 饰）的父母死于一栋工厂大厦的一次火灾，痛不欲生的他无意中得知原来此次火灾乃城中巨富赵经琛为了低价买下该栋大厦再进行改建的一个阴谋。高哲苦无证据诉诸法律无望后，决定自己代替警察惩治赵经琛。最终赵经琛在高哲的枪口下痛哭流涕，发誓改过，从此以后他果然成了一个乐善好施的大好人。高哲从此找到了自己人生的道路，那就是将恶人们都不义之财劫回来，捐赠给所有有需要的人。 高哲救了或收留了一班落难的技术精英，包括潜入学校系统偷试卷而被开除的表弟BT（李思捷 饰）、神枪手小明星长脚蟹、开锁高手Keyman和车神姣佬。他们组成了一个行动小组，屡屡得手。正直神勇的干探江扬（马德钟 饰）因调查5年前他师傅被匪徒枪击致死一案而追踪到了高哲身上，虽被江扬率领的一宗警察纠缠，但高哲对他的为人和行事十分欣赏。于此同时，赵经琛的儿子赵君豪亦是一个专门走歪道赚钱的奸商，高哲和他展开了一系列斗志斗勇的争斗！

曾经的田如蜜（杨谨华 饰）年轻貌美，周身洋溢着青春的气息，她同徐烨（吴中天 饰）两情相悦，后者为了同田如蜜在一起，不惜和家人断绝了来往。田如蜜本以为，和徐烨在一起的生活能够如同想象中那样充满了幸福和美好，然而，现实是残酷的，徐烨的母亲（何淑勤 饰）发现了田如蜜的存在，与此同时，田如蜜的腹中亦有了徐烨的骨肉。 最坏的情况发生了，徐烨最终还是放弃了田如蜜，消失不见踪影，而田如蜜独自生下了徐烨的孩子取名田易翔（刘以豪 饰），成为了一名单身妈妈。一晃眼数年过去，一次偶然中，田如蜜和曾经暗恋他的李劲阳（王阳明 饰）重逢了，惊诧于田如蜜的改变的李劲阳内心里五味杂陈。

Pok饰演Chakrit的继母。Chakrit的爸爸由Num Suntisook扮演。Chakrit不喜欢他的继母，因为她与自己同龄，他认为她是个贪钱的女人。 　实际上Pok是个好人。她尽能力帮助他爸爸致富。她守护着他的财产因为她爱他。但他背叛了她，另起炉灶，还结识了Joy(这里的他应是指 Chakrit）。Joy是个贪钱的坏女人，她想方设法抓住他，因为他的钱。Pok不让Joy接近Chakrit的财产，因此引起了Joy与Pok之间的矛盾。 　Vill是Pok的侄女，她听到很多关于Chakrit卑鄙对待她姑姑的不好传闻。当他们相遇的时候，Chakrit爱上了Vill。Pepper也是praek ，但他一开始也是大坏蛋， 比如他跟无数个女孩子发生关系，不过在他爱上Aerin后就改过自新了。

梦儿自幼患病，被绑匪丢下山崖。小偷闯入云家，绑架她离开又将其丢下山崖。姚婷投资寻星项目找她。多年后，项目研发成功，电梯事故中她护着姚婷致盒子掉落。姚婷认女时因胎记和照片问题又否认梦儿。秦雪庆幸毁掉梦儿的胎记误导姚婷，让她被丢出。

沈沅沅 14 岁遭杀害，母亲是唯一目击者却失忆，她化作孤魂在家守候十年。父母生下妹妹沈冉冉后，渐渐不愿再回忆惨案、配合查案。在忌日前后，鬼差给她三天借妹妹身体团圆的机会，最终母亲恢复记忆，父母双双选择以命为她复仇，沅沅带着圆满爱意离去。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......

20世纪60年代，日本学生运动渐次激烈，学生和政府之间的对抗朝着暴力的方向失控狂奔。某晚，登川直造（笹原茂朱 饰）、丸山国男（山川蜜 饰）等人领导的学生组织在据点内遭到警方搜捕，混乱之中，他们夺下警察的配枪夺路而逃。在经过某个漆黑巷道时，他们将手枪扔在公共厕所的洗脸盆中，被路过于此的公司青年职员铃木（秋山未知污 饰）拾得。厌倦了枯燥呆板的公司氛围以及平庸无望的生活，铃木追上众人，希望加入他们的组织。次日，登川等人的拒捕行动被媒体歪曲成袭击警察的恶性案件。为避风头，他们跟随铃木躲进郊外一所公寓中，日常以吃喝、做爱打发时间，所有外务全由铃木打理。 学运的失败和理想的破灭让这群年轻人朝向破灭，纵情享乐。铃木却不愿面对这样的失败……