模特界是个竞争残酷的行业，每一位有抱负的模特都需要支持、指导，有时还需要有人鼓励他们走上T台。前模特兼电视名人Yolanda Hadid凭借多年经验，指导有抱负的青少年模特如何在T台上以及台下取得成功。在她的知名子女Gigi Hadid、Bella和Anwar的协助下，Yolanda和她的专家团队为这些女孩及其母亲提供了一个为期8周的强化训练计划，重点关注成功所需的精神、情感和身体健康。Gigi、Bella、Tommy Hilfiger、Nicole Miller以及超模Devon Windsor和Alek Wek都会出席。六位年轻女性每人都有机会赢得每周5000美元的奖金，但最终，只有一名年轻模特能够与Yolanda的公司签订管理合同，并有机会成为纽约IMG模特公司的顶尖模特。

故事讲述了在上海的三位聋人年轻人与三位听人一场偶然的奇遇。起源于身居某家公司中层领导的司马仪面试聋人设计师安然时，以沟通不便为由无情拒绝了她。可是命运捉弄人，他们俩如同光与影，原本生活在平行世界里的每个人毫无兆头地相交起来。随着岁月的飞逝，他们在风风雨雨中建立起可贵的友谊。在那些情愫的日子里，他们超越语言文化和不同人群的边界，展现人物的爱恨纠葛。 本剧向大家揭示聋人群体有别于听人群体的人生观、价值观与世界观，将探讨现实世界里的聋人与听人之间无形中的羁绊，展现每个人有不同的语言、文化和生活方式，又如何一步一步呈现两个不同群体的碰撞和融合呢？

2042年，径山寺脚下的“茶世代”白小妤通过元宇宙学习平台“可浬幻想”，遇到了1042年北宋时期的少年沈括。两人一起欣赏径山寺的桃花，寻找山上的桃花凋谢得慢的原因；一起寻找水源，解开水能生铜的秘密；一起戳穿怪门客天狗食月的把戏；一起爬山发现石油的来历；一起做埽协助村民堵住苕溪的洪流；一起在钱塘江边欣赏“弄潮儿”······ 每集故事都讲述了少年们对新知识从好奇到追寻，再到认知和记录的过程，他们在探索中不断成长，对梦想充满热切的追求。

蘿西和媽媽搬到布魯塞爾的另一端，住進新的公寓大樓，認識了鄰居慕沙，一個喜歡嘻哈音樂的男孩。儘管大樓頂樓禁止進入，兩人還是常常結伴上去玩，逃避生活中的不愉快。在那裡，慕沙答應蘿西要陪她去探望正在坐牢的爸爸。媽媽早就不想再跟爸爸有任何瓜葛，蘿西一心只希望爸爸媽媽復合，再次擁有一個完整的家。有了慕沙的幫忙，她的願望真的能夠實現嗎？

This hour-long young adult series featured the characters from the popular children's books, "The Hardy Boys" and "Nancy Drew," in a weekly mystery. The team of Frank and Joe Hardy alternated with Nancy Drew every other week, with independent storylines. Several episodes featured a larger mystery with a cross-over scheme, involving the investigative talents all three characters. Written by Phil Fernando Frank and Joe Hardy were the teenage sons of world-renowned private investigator Fenton Hardy. Snooping must have been in the Hardy blood, since Frank and Joe were always stumbling across mysterious goings-on, usually of the non-violent kind. Kidnapping, smuggling, robbery, missing persons and haunted houses were the norm in the Hardy hometown of Bayport, although their adventures often took the boys to other cities or even countries. Frank was the sensible, older brother, while Joe was impulsive and a budding pop singer. Gertrude was Frank & Joe's sometimes nagging aunt, Callie was Frank's cute girlfriend and Harry a government agent the Hardy boys occasionally worked with. ---->As for me, I do think this is totally a bromance show. TOTALLY. Check out youtube for the series.

Follows the life of Hungarian nobleman András Hadik.

住西部大山的美丽村姑田枚，进城打工。巧遇电视台“美丽村姑”大赛的编导人员，大家一致认为田枚的形象、气质是理想中的村姑，于是田枚顺利通过村姑大赛的初赛进入决赛。但在建筑工地打工的男朋友二岩却对田的这种行为有成见。于是，在是否参赛和参赛后的种种猜忌中，两小无猜的田枚和二岩因为意见分岐而分了。“憨头憨脑”的田枚凭着她大山姑娘的刻苦、顽强和谦虚好学的那股“拙劲儿”，在大赛中各方面的表现都极好地超越了其他村姑，最后勇夺冠军 。

前知名经纪人余美凤（毛舜筠 饰），曾一手捧红多位歌手，却在婚后选择相夫教子。看似婚姻美满的她，在17岁儿子升学之际，断然决定复出乐坛。机缘巧合之下认识了茶餐厅外卖员方晴（姜涛 饰），方晴内心对唱歌跳舞充满热诚也相当有天赋。让美凤重新燃起了做经纪人的希望，正式出道后。方晴大火，美凤也在职场上锋芒毕露，儿子子轩（柳应廷 饰）感到妈妈的转变，再加上父亲的突然搬走，让他心里更是不安，母子感情也因此备受考验。与此同时，方晴接到海外公司邀约，请他到海外发展。而方晴的唯一条件是美凤必须跟随……美凤也在儿子与方晴之间面临抉择。

安德鲁（大卫·霍斯比 David Hornsby 饰）是一位专栏作家，专门撰写与礼仪教养相关的内容。虽然安德鲁是一个实打实的彬彬有礼的绅士，但是他待人接物的那一套放到现在来说，未免有些过时和死板，这也令他的文章读者数量渐渐缩减。终于，主编找到了安德鲁，命令他修改自己的文章风格，不然就要将他开除。 焦急的安德鲁想到了自己的朋友伯特（凯文·狄龙 Kevin Dillon 饰），伯特是一名健身教练，身强体壮的他从内到外都给人一种“大男子主义”的气息，包括他那粗鲁的举动和大大咧咧的性格。安德鲁决定委托伯特成为他的“教练”，教他如何成为一名“真正的男人”。

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 A Flood in Baath Country [TUFAN FI BALAD EL-BA'TH] Directed by Omar Amiralay Syria/France, 2003 Color. 46 min. Arabic with English subtitles. In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. "There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.