事业女性李薇忙于工作，请来保姆赵春丽照料母亲吴凤芝。不料，吴凤芝意外撞破赵春丽与赘婿陈哲的奸情及夺产阴谋，惨遭虐待致哑。为保护怀孕的李薇，吴凤芝强忍痛苦选择隐忍。李薇逐渐察觉家中异常，却屡次被二人蒙骗。归国弟弟李浩敏锐发现端倪，与姐姐暗中联手，一步步搜集证据，誓要揭开陈哲与赵春丽的伪装，为母亲讨回公道，守护家人与家产。

时念复仇归来，化名姜楠假扮保姆寻子入傅家，智斗乔薇薇。随着对真相挖掘，上一辈的恩怨也逐渐浮出水面。

本想在市井中做个低调自在少年的陆小白阴差阳错之下惹上了嫉恶如仇的女捕头沈君夜。无奈之下陆小白签下“卖身契”入赘沈府，两人由最初的敌对，到相互了…

陈家雇佣保姆徐霞照顾瘫痪老人陈金花，徐霞外表温顺内心歹毒，常年虐待老人、克扣饮食，还用烟头伤人。她欠下高利贷后，逼迫老人向其子陈明索财，囚禁孙女朵朵要挟，又灌醉陈明伪造怀孕借机讹诈。陈明心生疑虑，暗中布设监控录下全部罪证，将徐霞绳之以法，恶人终获刑，陈家恢复安宁。

故事延续上一季，女神捕沈君夜升入京城后，跟随神捕司统领李成器，破获多起悬案，最后竟意外得知，李成器是自己的未婚夫婿路小白假扮。两人率领神捕司众人，与邪恶组织千刃斗智斗勇，历经艰险，终于将为祸不浅的千刃彻底铲除，有情人终成眷属。

都市上班族李芳，因忙事业且父李忠年迈行动不便，聘 42 岁保姆陈丽照料。陈丽初时勤恳，获李芳信任，实则内心贪婪恶毒。李芳上班后，陈丽苛待李忠，不给饱饭还辱骂威胁，李忠怕连累女儿隐忍。李忠因营养不良晕倒，陈丽编谎言蒙混，护士、邻居王阿姨提醒李芳，她却因忙与信任未深究。陈丽还联合赌徒丈夫黄天华搜李家财物、逼问 “宝贝” 甚至动粗，而 “宝贝” 只是李芳儿时作文。后李芳察觉诸多疑点，开始留心，守护亲情与探寻真相的较量悄然展开。

冬梅是一位伺候瘫痪在床的老人的保姆，表面上对老人照顾有加，实则心肠歹毒，暗地里经常虐待老人，老人的儿子儿媳对这一切却并不知情。而聪慧的儿媳却利用巧妙的方式得知了老人被虐待的事情，让冬梅为自己的行为付出应有的代价，一家人迎来美好的结局。

勤劳的单身妈妈Diane（Hannah Record 饰）雇佣了一位名叫Nick（Gregory Yuan 饰）的男保姆来照顾她的儿子Micah（Zacarias Olalla 饰）。但她不知道的是，实际出现的男人其实是Ethan（Michael Yi 饰），一位正在躲避杀手的企业继承人。Ethan假扮保姆，逐渐融入了Diane的生活。

炎王殿殿主林尘，隐藏身份入赘陈家3年，在汽修店当汽修工3年，只为让陈家在他的庇佑下晋升第一世家，3年之期己到，本以为自己老婆陈凌珊与自己相濡以沫其实早就看不上他这个汽修工老公，打算与其离婚，殊不知，眼前的男人才是那个让他陈家鱼跃龙门的那个人！

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.