该剧是根据埃莉诺·卡顿的同名小说改编的，设定在19世纪新西兰的一个小镇，12个人聚在一起讨论最近发生的离奇事件，每个人都讲述了自己所知的片面信息，结合在一起，构成了一个交织着联合与背叛、秘密与谎言的复杂故事，如同罗生门一般真假难辨。

内向中学生欧文原只想安稳度日，直到同校酷姐麦蒂向他介绍了神秘的深夜奇幻影集《神力粉红》——一个隐藏在地下的怪奇世界。两人总是偷窝在麦蒂家里，看粉红少女组对抗邪恶怪物。隔着电视的闪烁微光，欧文的内心也逐渐起了变化。而麦蒂突然人间蒸发，影集断尾，欧文的另一个世界，倏地戛然而止⋯⋯

此剧主要讲述一个被解救的投汉江自杀的就业准备生在急诊室知道了自己生命有限期的事实后发生的故事。

A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic. A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense. While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address. I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.

Maxime, un jeune homme de 25 ans, débarque à Paris, mais souhaite rejoindre Justine, la femme qu'il aime, en Inde. Au bar de l'hôtel Raphaël, il fait la connaissance de Jack Lesterhoof, un riche homme d'affaires qui lui propose de devenir son interprète pour un rendez-vous important. Maxime accepte. Les deux hommes deviennent bientôt amis. Jack décide de faire un break, de rompre avec la routine et d'accompagner Maxime en Inde.

该节目以金融行业为切口，聚焦8位即将毕业的学生初入职场的状态，演播室嘉宾观察全过程，试图通过这种关注和讨论的方式，给予奋斗中的人以温暖和引导。

《闪闪发光的少年》是由央视频出品的一档展示时代青年样本的青春纪实微综艺。每期节目以“90后”总台记者王冰冰的视角，发掘每位青少年榜样的“发光故事”。第二季节目延续探访运动健儿的同时，将拓展更多元领域的青春面孔、年轻势力， 进一步拓展国民新榜样的定义，展现新一代中国青年的责任与担当，激励中国年轻人勇敢追光，共赴热爱。

我在夜晚梦见色彩 有些梦是一场色彩的梦 我记得，我的色彩梦 这是我三十年前所写的...... ——德里克·贾曼，1994

Light on Earth will examine the phenomena of so-called bioluminescence.

十年前的一次超自然发光事件导致张鹏的好友神秘失踪。十年后摄制组找到张鹏，提出重回事发地象山拍摄一部找寻真相的影片。在象山受访者对当年事件给出的不同描述让调查陷入重重谜团。当他们历经波折进入那个人工开凿的神秘洞穴时，却发现所谓谜团都是导演的蓄意安排。但真相只是这样吗？在这个谜一样的洞穴里，谁是操纵者，谁是被操纵者已经无法确定。随着那扇尘封的水泥大门被推开，眼前发生的一切远超他们的想象……