你还以为这是一个重男轻女的世界吗？一切早已经改变了！当居家好男人李（Benjamin Koldyke 饰）和单身汉安吉（阿莫里·诺拉斯科 Amaury Nolasco 饰）一次又一次的为了找工作而四处奔波的时候，他们突然间明白了这一点。既然男人找工作如此困难，那么变成女人的话问题不久解决了么，就这样，两个男扮女装的男人出现在了医药销售代表的队伍当中。 要隐瞒这样一个秘密显然不容易，除了辛苦工作外，李和安吉在“如何做一个合格的女人”的问题上颇费苦心。他们能够守住这个秘密吗？当真相被揭穿后，李和安吉又能否凭借他们的智慧与勇气为自己在同事和老板之间赢得他们应得的认可和尊重呢？

一个大学生与他的朋友们想尽各种方法去找工作。不过在当前糟糕的经济形势下，这一切看起来都很难……

表面上看，富川家是生活安稳的中产之家，其实每个人心中都各有烦恼。富川洋辅（三浦友和饰）是大型钢铁企业的人事部长，工作多年，眼看着离升任董事的日子越来越近，却在关键时刻因不肯给关系户的儿子走后门而得罪上级。此时，在私立中学当语文教师的妻子富川水希（黑木瞳饰），也面临着是否能延长雇用的考察。女儿富川栞（前田敦子饰）在珠宝公司上班，饱受职场搔扰之苦，申请调职后却又陷入职场“三角恋”的窘境。上大学的儿子富川光（工藤阿须加饰）正在努力找工作但毫无进展。原本幸福的家庭因偶然的遭遇分崩离析，一家人各自走向不同的方向

影片阐述的是一个以碰瓷为生的骗子，为了敲诈一个找工作的毕业生，陪他一起踏上求职之路，不料，却无意中卷入一场阴谋之中的故事……

方寸之间的面试间，求职者竞争进入英国规模最大最知名的公司，试图得到梦寐以求的工作。

来自俄罗斯一个小镇的酷儿艺术家吉娜（Gena），身着用废旧物品和胶带制成的奇装异服，在莫斯科街头抗议政府。吉娜年仅21岁，在苏联古拉格苦寒之地马加丹（Magadan）的艰苦街头出生并长大。她在公共场所进行激进表演，这些表演成为了一种新的艺术与激进主义形式。她这样做是想……

A child struggling with their identity and a charismatic fox learn to embrace their differences in this heartwarming stop-motion animation.

One fascinating facet of late capitalism is that it can take in almost anything and sell it back to us for profit. Particularly in Europe and North America, this has seen the absorption of drag culture and its commodification as mildly irreverent, high-ratings entertainment. Its significant value in normalising gender fluidity notwithstanding, that version of drag loses its inherent radicality, as a repudiation of the very foundations of oppressive social structures. Avant-Drag! paints portraits of nine drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism. A line from the film’s exquisite punk-poetic narration describes this impulse perfectly: it’s “a demand to change the world that comes from the past, looking straight into the future.” And, lest you be concerned, have no fear that there is no shortage of gloriously outlandish outfits and towering high-heeled boots. This is drag, after all.