宋知有在古代连载射雕英雄传，起初不少人持抵制态度不愿追捧这部作品，很快这部书就吸引了闺阁女子的注意力，也让市井百姓争相打听后续情节，更引得军营武将追着讨论书中的侠义与战局，连后宫妃嫔都悄悄传阅，朝堂文武百官也从最初的不屑转为疯狂追更，衍生出品书会民间热议与朝堂文武之争，射雕完结后宋知有推出续作神雕侠侣，第十回里小龙女失节的情节引发全城封建卫道士的集体口诛笔伐

篮球场上的乌龙表白让江钰把姨妈巾错当成情书塞给校霸周止琰，从此开启爆笑又社死的追爱之路误叫灵车送医、男厕意外撞破、组团倒卖姨妈巾，糗事百出却让两人羁绊渐深。当江钰以为自己只是对方的“练手对象”黯然提分手，却发现这场跨越五年的暗恋早已双向奔赴。爆笑乌龙背后藏着温柔守护，看社恐少女与傲娇校霸如何从“乌龙冤家”变成命中注定。

现代女子宋知有穿越到古代，意外激活万界书库系统。她依靠系统内独有的典籍读物做起书籍生意，从一无所有，一步步打拼成为京城小有名气的书肆女掌柜。她开启连载更新的模式，引得全城上下掀起追读热潮。面对禁书风波与同行的恶意排挤，宋知有机智化解重重危机。市井百姓、文武官员乃至皇室宗亲，纷纷成为她的忠实书迷，让自己的书籍事业不断攀升，闯出一番独属于自己的天地。

现代少女宋知有穿越到大晏朝，绑定万界书库系统。身无分文的她以摆摊售书起步，活用现代营销手段引爆市井，招揽落魄书生曹易之、画师徐向榆等人组建抄书团队，自创标点符号解决古文断句难题。她创立知行书肆，笔下故事风靡全城，六皇子、后宫贵妃、国子监夫子、武将全员沉迷追更。她在经商暴富的过程中，掀起一场席卷朝野的民间文坛变革。

现代少女宋知有穿越到大晏朝，绑定万界书库系统。身无分文的她以摆摊售书起步，活用现代营销手段引爆市井，招揽落魄书生曹易之、画师徐向榆等人组建抄书团队，自创标点符号解决古文断句难题。她创立知行书肆，笔下故事风靡全城，武将全员沉迷追更。她在经商暴富的过程中，掀起一场席卷朝野的民间文坛变革。

故事发生在距今千百万年前的原始社会，皓月当空，月朗星稀。原始丛林的某个角落，山洞内闪耀着乳黄色的火光。镜头拉近，我们看见一个身穿兽皮、胡子拉碴的原始人正用手在岩壁上涂涂画画。他正在画一个体型丰满到极度变形的女子，女子裸露全身，线条曼妙流畅。而且壁画不止一副，而是画了很多女子一字排开。当最后一幅完成之后，我们的原始人艺术家开始以极其超前的方式欣赏着他的旷世杰作…… 本片为2002年法国昂西动画节开幕动画短片。

故事发生在距今千百万年前的原始社会，皓月当空，月朗星稀。原始丛林的某个角落，山洞内闪耀着乳黄色的火光。镜头拉近，我们看见一个身穿兽皮、胡子拉碴的原始人正用手在岩壁上涂涂画画。他正在画一个体型丰满到极度变形的女子，女子裸露全身，线条曼妙流畅。而且壁画不止一副，而是画了很多女子一字排开。当最后一幅完成之后，我们的原始人艺术家开始以极其超前的方式欣赏着他的旷世杰作……　　本片为2002年法国昂西动画节开幕动画短片。

Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

在广东拥有五家连锁酒店的白成刚，回到了阔别十年的家乡。不想正巧赶上村级组织换届，老主任主动提出退出，至此最具竞争力的当数白成刚的死对头侯建良。白成刚的好朋友和一些拥护者纷纷背后游说白成刚，让他与侯建良竞争主任。在众人劝说下，原本要返回广东的白成刚最后下定决心竞选村委主任。侯建良以送钱等方式背后拉到了相当一部分选票。尽管有老主任的大力支持，白成刚仍然没有占到上风，双方形成了势均力敌的态势。白音花心怡白成刚多年，对丈夫侯建良的狡诈多有不满，把选票投给了白成刚。最后，在白成刚的带领下，全县以巴彦村为村级龙头，组建起来了奶牛合作组织和全县旅游业股份制集团公司。村民的日子越来越好，一切走上正轨，白成刚离开了巴彦村，踏上了新的征程。

名校生陈凡返乡十年科学养猪，反遭族长与骗子构陷驱逐。他预警猪瘟无人听信，村民使用违规饲料贪图暴利。陈凡另辟猪场培育防疫草木，搭建防护体系。七日后果然瘟疫肆虐，骗子卷钱逃走，村民损失惨重。众人求药被拒，后专家认可陈凡防疫方案。村民雨中悔过，陈凡接手全村产业重建现代化养殖基地，恶人依法受惩。