这是一个女人的故事。在乱世中，她宛如一片无足轻重的浮舟，是一个沉浸于自我天地的狭隘之人。她的寂寞如同影子，好似皮影戏里被线操控的木偶，又像那永远系着牢固丝线的风筝。她是父母的影子，是丈夫的影子，更是她所处时代里被戕害的弱者的影子。她看似无关紧要，却又仿佛不可或缺。男人们既喜欢将她当作生活的点缀，又随意把她视为累赘；他们喜欢替她做决定，还若无其事地将生活的重担压在她身上。然而，她不甘心在影子下苟且偷生。她渴望毫无保留的爱情，向往肆意任性的自由，期盼生命的火花将自己彻底燃烧。她只愿做真实的自己。

二十年前，赵家女佣误注安眠药于新生女婴，为逃责换婴抛深山。女婴被周丽芳救起，成周小草。二十年后，周小草入赵氏集团，因贫穷遭当年女佣之女赵梦宁针对，且自身红斑秘密被发现。命运交错，周小草身世之谜似有揭开之势，未来在赵氏集团又将何去何从？

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

怜是来自未来的少女。五百年后，世界受计算机“时间意志”的统治，人们被分成有用者和无用者两类，分住在不同的区域。怜遭受流行被放逐到过去，同时，她还受着“孤独之刑”，除了在学校里和家里，没人认识她。因为记忆被“时间意志”修改了，所以同学们和奶奶都不对怜的突然出现感到奇怪，然而只有一个人——鸣濑玲人察觉到了异常。 玲人出了学校也认识怜。玲人喜欢上了带着神秘气息的怜，而怜也从玲人那里感到了温暖，打算告诉他未来的事情和自己的真实身份。然而随着两个人越来越接近，周遭却怪事频发。 不久后，班里来了一个叫修的转校生，他的出现进一步打乱了两人的生活。玲人从修那里得知，自己和怜的未来有很大的关系。不断刺激他们的修其实就是“时间意志”……

电影《怜花》 讲述在一个名叫玛嘎山村贫寒家庭长大的林雅楠，在她幼年时母亲改嫁，父亲生病离世，而她在清霞的收养下生活成长，通过自强自立与男友潇阳创出一片人生新天地。事业有成，收获爱情的励志艺术故事片。

痴迷于真实案件的伊娃·沃在她 30 岁生日那天被她的好朋友们邀请到了某款约会软件上，她因此开启了自己浪漫的约会之旅。但随着她最喜欢的播客披露了最近谋杀案的细节，她意识到她聊过的三个男人中的一个可能就是凶手。

副督察 Vikram Vasudev 的任务是调查一名高级警官被涉嫌强奸受害者杀害的谋杀案。当他深入研究此案时，他发现了一些令人惊讶的事实。

一个女人独自在家时，听闻了连环杀手的消息，这时，一个陌生人按响了门铃……

东北农村某村社会主义经济取得长足发展。但是随着经济的发展，有些村民只注重经济收入，却疏远了亲情、友情、乡情关系，村里的二人转艺人范不尚却想把人们之间的亲情、友情与乡情拉近并且永远保持下去。于是，范不尚常拿别人的事当成自己的事来办，谁家有个大事小情他总是跑前跑后忙个不停，但很多时候总是费力不讨好，正因为如此，大儿子范钱对他的做法并不理解甚至极力反对，幸好，小女儿范香向着父亲，总是在关键时刻帮着范不尚说话。范不尚虽然不是村官，但他这种助人为乐的事迹在十里八村早已传开，他的付出，使村里的家庭更加和睦，村民更加团结，同时也促进了村上经济更加发展。

东北农村某村社会主义经济取得长足发展。但是随着经济的发展，有些村民只注重经济收入，却疏远了亲情、友情、乡情关系，村里的二人转艺人范不尚却想把人们之间的亲情、友情与乡情拉近并且永远保持下去。于是，范不尚常拿别人的事当成自己的事来办，谁家有个大事小情他总是跑前跑后忙个不停，但很多时候总是费力不讨好，正因为如此，大儿子范钱对他的做法并不理解甚至极力反对，幸好，小女儿范香向着父亲，总是在关键时刻帮着范不尚说话。范不尚虽然不是村官，但他这种助人为乐的事迹在十里八村早已传开，他的付出，使村里的家庭更加和睦，村民更加团结，同时也促进了村上经济更加发展。