本片改编自萨特的话剧，描写一个纽约妓女在开往美国南方的火车上，见证了参议员的儿子谋杀一个黑人。但为了争取上流社会的“尊敬”，她被迫了自己的黑人男友，在法庭上做了伪证，然而一切徒劳无功。

»Der Film erzählt vom Rhythmus des Lebens und der Lebensalter. Beschaulich-ruhige Bilder wechseln mit "visuell-schmerzhaften" Bildern (z.B. Selbst-Piercing). Mir ging es in dem Film nicht nur darum, die Motive bzw. die Motivation der Darsteller zu dokumentieren, sondern auch darum, diese Inhalte für den Zuschauer unmittelbar erlebbar zu machen. [...] Mit dem Film ACHTUNG-Die Achtung versuche ich eine Spannung zu erzeugen, die nicht nur zwischen Schock/Sensation und Ruhe/Besinnung pendelt, sondern die es – im Kino wie im Leben – auch auszuhalten gilt.« (Michael Brynntrup)

我佛慈悲，普渡众生；万人信奉的缅甸高僧维拉图，弘扬的佛法却是顺我者生，逆我者亡。菩提树下修行出孽魔恶道，端坐权力祭坛，右手支颐高举和平公义，左手捏指挑起反伊斯兰仇恨，煽动种族清洗罗兴亚人。佛光昭昭下生灵涂炭，令番红花革命染上血色，昂山素姬的民主光环幻灭。始于《独裁者阿敏的自画像》（1974），续于《魔鬼大状》，施罗德终以「佛教恐怖面相」 的曼陀罗完成「邪恶轴心」三部曲。人在做，天在看， 无畏无惧以镜头直视邪恶本相：心若囚笼，苍生难渡。

A lonely traveler embarks on a journey to find relief for a hidden yearning. Her restless longing spreads around and forces fellow passengers to face their own desires and disappointments.

这部电影呈现了泰米尔族遭受镇压的真实事件，讲述了泰米尔族领导人普拉巴卡兰是如何以及为何投身于印度洋岛国斯里兰卡的泰米尔自由斗争之中。 注：原文中“斯普里兰卡”应是“斯里兰卡”，我在改写中进行了修正。

A politically pious sermonette. This film probably was brave for it's day, but, such films often get made when social conditions deem it necessary. (Hence the venereal-disease-warning films that were shown during WW2). As a political document it is interesting to see how it craftily avoids asking why, in a society in which political change was supposed to have brought sexual and social emancipation for all, as well as work for all, women should still need to sell sex in order to survive, and, like all other religions, the only message the so-called communism of the USSR had to offer was "don't do it". Pious and dreary, it has nothing to say, and what little it does say, is patronising and predictable. But, on the other hand, this was 1927..!

Trois-Rivières, 1930s. A woman separated from her husband for eleven years agrees to take him back into her home when her partner dies, but on the condition that she does not resume married life. Her husband brings with him the three little girls from his second marriage. Mrs. Lemay will become attached to the three children, but life together with her husband will be more and more difficult. Mrs. Lemay is still attracted to this seductive but unstable man who will eventually abandon her again, leaving her three daughters.

Pimps, hockers and their stories in NYC hells kitchen...

Gorgeous and sinful Stoya slips under the spell of lust, captivated by her new roommate, and hungry for passionate encounters. Mick Blue plays a naughty game of chasing tail, toying with romantic pursuits and hot sex with wet and wild chicks. Stoya dives in, feeding right into his lap, playing him for all his well endowed worth, until they come together and even the score.