想要守护历史的年轻史官和为了成为国王而想要抹去历史的王世孙为了彼此的信念而斗争的故事。

现代女孩沈清言熬夜看完一本古言小说，一觉醒来竟穿进了书里，成了永宁侯府失散多年的嫡女。她不仅随身带着一只灵智非凡的小猫小怪，还拥有一项神奇的能力——心怀善意的人，都能听见她的心声。刚回侯府，她就遇上了宅斗大戏。继母和庶妹机关算尽，想给她下马威，谁知她们心里那点小九九，全被沈清言的心声"剧透"得明明白白。凭借着对剧情的先知和心声能力，沈清言一路开挂，接连揭穿侯府内宅的阴谋、后宫的乱象，甚至朝堂上的奸臣诡计。她的聪慧与胆识，引起了皇帝的注意，不仅受封安宁郡主，还破例担任了御前史官。此后，她随帝王出征，平定边境战乱，用她的方式守护着家人与家国。

方若父兄因如实记录权臣弑君获罪，她胆小不敢写正史，化名撰写权臣野史爆火，朝野上下争相追捧。后被权臣任命为史官，被迫为其粉饰功绩，一边朝堂逢迎营救家人，一边暗地续写野史。马甲暴露后入狱，她点醒权臣正视功过是非。最终权臣释怀，女主重拾史官笔，既记正史，亦续野史，传承记录之道。

该剧讲述的是在动乱的19世纪初，被差别对待的女人们成为了主人公，打破男女有别的观点寻求变化的故事，也是桃源大君李林与手足无措的新人女士官具海玲的…

现代读者沈清言意外穿越，成为永宁侯府失散多年的嫡女。她机缘认祖归宗，凭借过人聪慧与独特能力，识破一桩桩阴谋。入宫后，她明辨是非、匡正风气，又在朝堂之上出谋划策，解决政务难题。面对外敌侵扰，她跟随圣驾出征，助力大军平定纷争。一路走来，沈清良善正直，守护家人与同僚，凭借才智屡立功劳，受朝廷嘉奖封爵。最终朝野清明，边境安稳，百姓安居乐业，众人皆收获圆满生活。

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

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