一群把腳踏車掛上路燈的狂野少年，一位有強迫症的女人，三個拿著真槍真彈、在週末夜玩俄羅斯輪盤的酒友，加上總是在街角鬼吼高唱的唐氏症少年，組成了這部奇異而帶點哀傷的佳作。導演一鳴驚人的首部長片，精準而幾近「偽紀錄片」式的場面調度，透露了創作者對電影媒體比說故事更有野心的企圖：讓電影成為社會的實驗室。

Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

Professional killer is hired by his brother, a gang boss, to wipe out a rival gangster.

1227年成吉思汗死后，他的三个儿子攻占Tuleda城，俘虏了比安卡公主。赫拉克勒斯为了拯救比安卡，比赛故意认输，自己甘愿成为奴隶。不久西方的援军快重新夺回图利达，赶走了成吉思汗的儿子们，解救了赫拉克勒斯。

中央新闻纪录电影制片厂摄制

吉他兄弟方清明、方清华从贵州省遵义市正安县凤竹村老家跑到广州吉他厂打工谋生活，从白手起家变成吉他厂老板，又回乡创业，建设美丽家乡，打造民族吉他品牌的传奇故事。“三百娘子军”之一的林美心在广州打工一年后离奇失踪。十五年后，她的两个儿子沿着母亲走过的道路再次来到广州，清华认识了冷静多智的安静和美丽多情的苏妹，由此展开了与这两个女人长达数十年的爱恨纠葛。清明则与青梅竹马的吴小娜结婚生子。几番商海沉浮，兄弟俩肝胆相照互相扶持，几多人心诡谲，他们不忘初心反哺思归，用满腔赤诚回报贫苦家乡。正当兄弟二人产生分歧、分道扬镳时，一场更大的想要搞垮中国吉他制造行业的大阴谋席卷而来。清华与清明勠力同心，在母亲林美心的帮助下参加世界吉他制造大赛，并以凤鸣吉他一举夺冠，中国民族吉他品牌屹立于世界吉他品牌之林 。

Part 1 - In the Beginning Alan Yentob embarks on a three-part personal journey to discover how the guitar became the world’s favourite musical instrument. Beginning with the rise of the acoustic guitar, the series takes him from an ancient Middle Eastern ancestor of the lute, to the iconic guitars draped round the necks of Bill Hailey and Elvis Presley and beyond. Featuring interviews with Bert Weedon - the man who taught Britain to ‘Play in a Day’, Pete Townshend, Bill Bailey, flamenco player Paco Pena and classical guitarist John Williams. Alan Yentob着手三次私人旅行，探索吉他是如何成为风靡世界的乐器。首先是原声吉他，从原古的中东鲁特祖先，至 Bill Hailey、Elvis Presley及后来者琴颈绑着商标的吉他。同时采访Bert Weedon，Pete Townshend，Bill Bailey，弗拉门戈演奏家Paco Pena和古典吉他演奏家John Williams。 Part 2 - Out of the Frying Pan 以Robert Johnson的早期Blues为起点 Alan Yentob presents a three-part series examining how the guitar became the world’s favourite musical instrument. As the guitar turns electric, music is changed for ever. The world’s first electric guitar had nothing to do with jazz or blues, but Hawaiian-style music and was known as the ‘frying pan’. Yentob continues his investigation from the blues of the Mississippi to the guitar wars of the 1950s, when the Fender Stratocaster and the Gibson Les Paul were battling for supremacy. Part 3 - This Time it’s Personal 逐一介绍了ROCK的吉他发展 In the final programme of the series the guitarists talk about how they find their own sound, and how the guitar has changed their lives. Since its invention, the electric guitar has unleashed a seemingly inexhaustible sonic invention among guitarists. Featuring Muse’s Matt Bellamy, who turns out to be following in his father’s space age footsteps, Tony Iommi from Black Sabbath, who talks about the invention of heavy metal, David Gilmour from Pink Floyd, Pete Townshend (Perhaps equally famous for smashing guitars), Johnny Marr from the Smiths on ‘the mother of all riffs’, Slash and The Edge from U2 among many others.

When Martin's car breaks down in the middle of the desert, he has no choice but to head off across the empty landscape to look for help. Along the road he happens upon a mysterious brothel. He has no choice but to go there. But when he goes inside he unknowingly is drawn into a fateful game of chance. In this suspenseful film from Mexico, not everything is what it seems.

A perspective on Palestinian people dealing with Israeli occupation and how this affect human relations taking it out of the place into a complete different country, Ireland, where people and powers are equal, leaving it only to their humanity.