《吉屋出租》这部摇滚音乐剧在2006年的3月1日成为百老汇史上第七长寿的剧码，同时获得东尼奖及普立兹奖的肯定。这出音乐剧改编自普契尼的歌剧《波希米亚人》，剧情着重于一群穷困的艺术家和音乐家，即使在爱滋病的阴影下(在“波希米亚人”中是肺结核)仍在纽约的字母市挣扎努力生存。 这出音乐剧的原声带是美国音乐剧界近三十年来最成功的录音，计有一套双碟的完整版，包含一首由史提夫·汪达演唱的混音版“Seasons of Love”，还有一套仅单张的精选辑。 《吉屋出租》是百老汇音乐剧中，率先把同性恋、双性恋及跨性别等议题搬上舞台的，之前只要是触及这些议题的制作，都被归类至外百老汇(仅《一笼傻鸟》例外)。 本片是2008年9月7日吉屋出租在百老汇演出的最后一场现场录制。

A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.

Once upon a time in the USA, Broadway and Business had a baby: the Corporate Musical. This is the story of one of Capitalism's strangest creations and the comedy writer obsessed with rescuing this hidden world from obscurity. With David Letterman, Martin Short, Susan Stroman, Jello Biafra and more.

The Best of Broadway is a 60-minute television anthology series telecast live on CBS from 1954 to 1955 for a total of 9 episodes.

阿黛尔夫人，曾经是巴黎剧院的巨星，但却陷入了困境。但她允许一位年轻的美国表演者玛丽·杜瓦尔 （Marie Duval） 扮演昔日的阿黛尔夫人，两人都成为巴黎的宠儿，一个再次，一个新加冕。

New York City physician, Dr. Timothy Kane, knows Broadway, the Great White Way and all of its characters thoroughly, as does his receptionist, Connie Madigan. A man Kane had sent to prison is now dying, and asks Kane to locate a daughter and give her his fortune. However, others think they have a claim on it, and are out to ensure their claim, usually by foul means.

在现代雅典，有四个年轻的街头艺人和扒手组成的团体，他们在废弃的娱乐综合体“百老汇柱廊”中找到了意想不到的避难所。当一名前团队成员出狱后，这个临时家庭的平衡将被打破。

“The Americans invented jazz to make up for death, the star to recover from women. To comfort themselves faced with the night, they invented Broadway. Every evening in downtown New York, an artificial day begins. Its purpose is to advertise the shows, vaunt the products, and the inventors of these adverts would be quite astonished to discover that the most fascinating spectacle, the most precious object, is the street transfigured by their signage. This day has its own inhabitants, its shadows, its mirages, its ceremonies. It also has its own sun…” (Chris Marker) “The first film I’ve seen in which colour is absolutely necessary.” (Orson Welles)