Back Street is a 1961 film made by Universal Pictures, directed by David Miller, and produced by Ross Hunter. The screenplay was written by William Ludwig and Eleanore Griffin based on the novel by Fannie Hurst. The music score is by Frank Skinner. The film stars Susan Hayward, John Gavin and Vera Miles. The story follows two lovers who have limited opportunities to get together because one of them is married. It was nominated for Academy Award for Best Costume Design, Color (Jean Louis). Unlike the previous film versions, this one gives Susan Hayward plenty of opportunity to appear in Jean Louis's spectacular gowns. This was a trademark of Ross Hunter's remakes of older "weepies"; he emploied the same method in Lana Turner's versions of Imitation of Life and Madame X. Of all three screen versions of Back Street, this 1961 production took the most dramatic license with the novel. It is different from both the 1932 and 1941 screen versions in many ways - changing the names of several characters and updating the story to what was then the present day. Good examples of how the plotline was sensationalized in this third version are the attempted suicide and the fatal car crash.

京城后街头条居委会在主任何秀芬的带领下，全体成员各司其职，为社区居民能够安居乐业而四处奔忙。不过，居委会内部也并非一帆风顺，存在着一些“小摩擦”，老同志们总想教导新人，而新人们却不太愿意被管束。在日常工作里，大家难免会产生一些小矛盾，但在工作之余，彼此仍是好伙伴。特别是何大妈，她把唐小米当作孙女一样关怀，还给予她更多展示工作能力的机会。该剧情节紧密围绕京城百姓的生活以及社会现实问题展开，生动地折射出当今北京这座国际化大都市所独有的、厚重的历史文化与鲜明的现代特色。

顾雄与章捷民的两家酒帘经常为了利益冲突而拼个你死我活。曾经与顾雄共过患难的周志强与章捷民的妹妹珍妮相恋，令章捷民为之气结。 为了珍妮，章捷民与顾雄两帮人马发生大激斗。拉扯之中，章捷民刺死了顾雄，怒火中烧的周志强也误杀了章捷民，事情越闹越大……

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肖丽丽与沈京泽结婚三年，看似恩爱。她发现丈夫患无精症，又撞见他与合伙人妻子林慕瑶有染。林慕瑶为还债谎称怀孕上位，沈京泽更是夜不归宿、背弃婚姻。肖丽丽暗中取证，在家宴当众曝光真相。最终她依法接管公司，沈京泽因挪用公款、伤人入狱，林慕瑶流产后下场凄惨。

肖丽丽与沈京泽结婚三年，看似恩爱。她发现丈夫患无精症，又撞见他与合伙人妻子林慕瑶有染。林慕瑶为还债谎称怀孕上位，沈京泽更是夜不归宿、背弃婚姻。肖丽丽暗中取证，在家宴当众曝光真相。最终她依法接管公司，沈京泽因挪用公款、伤人入狱，林慕瑶流产后下场凄惨。

肖丽丽与沈京泽结婚三年，看似恩爱。她发现丈夫患无精症，又撞见他与合伙人妻子林慕瑶有染。林慕瑶为还债谎称怀孕上位，沈京泽更是夜不归宿、背弃婚姻。肖丽丽暗中取证，在家宴当众曝光真相。最终她依法接管公司，沈京泽因挪用公款、伤人入狱，林慕瑶流产后下场凄惨。

Hong Kong Butcher tells the story of a looney, sexually inadequate cab driver who takes out his frustrations on hapless women by cutting them up and preserving their genitals a la Ed Gein. Director Jeffrey Lau, credited here as China Chung, begins the film with a 'documentary' segment focusing on the insane folks who inhabit the streets of Hong Kong. Our antagonist fits nicely among them, because he is shamelessly crazy. Any chance he may have at a semi-normal relationship with one girl he meets is dashed when he takes her on a metal-crunching daredevil car ride after first meeting her, then goofily harasses her at her apartment door the following day when she refuses to let him in. At night the guy cruises the streets of Hong Kong in his cab, grabbing a woman now and again to knock unconcious and carry to his apartment where he hacks them up, then has sex with them. He displays his victim's parts in plastic cases, and prances around his apartment in ecstasy looking at them. He shoots pictures of it all and casually takes the photos to be developed at the corner store. Lau populates the film with prostitutes and cabaret singers, which helps to give it an added layer of sleaze. And the soundtrack music is all over the place: there's 80's Asian trash pop, 70's analog synth bubbling, and a healthy sampling of Brian Eno's Music for Films. I really liked how it all worked. Not much story here, just the episodic goings on in the crazy dude's life. Worth checking out, even given the crude subs and substandard sound.

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