一个孤独的海军水手爱上了一个妓女，在他的服役记录被丢失的期间，他成为了她儿子的代理父亲。

At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town of Dove Linkhorn, her true love of three years before who is now searching for her. When Linkhorn learns the truth of her profession he triggers a chain of events involving a number of people, including the young Kitty with whom he travelled from Texas and who is now the Doll House newest recruit.

身世坎坷的安娜虽然是私生女，但仍得到了温暖的父爱。在父亲和情人的一次幽会中，情人的丈夫失手打死了父亲，从此安娜备受父亲的妻子的欺凌。安娜被迫嫁给了一个老实本分的屠夫，然而安娜依旧忘不了故交马贩子奈德……

一个才华横溢的纽约女舞者通过她所擅长的Breaking挖掘自己内心的力量。       安吉尔在跳舞的时候总是散发着无限魅力，当一次野蛮袭击来临她被迫离开布鲁克林来到洛杉矶，在新的城市她没有朋友也与世界隔离了。只有一直反对她跳舞的妈妈在身边。她将如何突破自我捍卫自己在Hip-hop界的地位。

Director Marita Giovanni's film is based on a play by Lauran Hoffman. Hoffman's material may get tied up in psychobabble but she has an ear for entertaining dialogue and mercilessly avoids the archness usually associated with lesbian drama. Set around an LA Girl bar it focuses on Loretta (Nancy Allison Wolfe), a beautiful red-haired cartoonist, and her romance with actress Rachel (Liza D'Agostino). Wolfe's performance is droll and moving, and she manages to throw off the bad ideas Giovanni and Hoffman aim at her. She also deliberately approximates the glamour of Rita Hayworth from Gilda. Her apartment features the famous poster of Hayworth smoking, as well as a huge closeup of Lotte Lenya's eyes. The character of Rachel is less interesting though D'Agostino holds her own with Wolfe in their fight scenes. I also like Loretta's ditzy friend Veronica (Justine Slater), a straight woman `enchanted' by the idea of a lesbian affair. Those wanting to see a graphic sex scene will not be disappointed but it felt to me Giovanni cut away at a climactic (no pun intended) moment. The awful soundtrack suggests the film's low budget, as does the underpopulated bar, though this underpopulation serves Hoffman's incestuous roundelay theme. Note a cameo by Chastity Bono at Scorpio night.

A steamship originating from San Francisco has just docked on the South Pacific island of Tutuila at the port of Pago Pago, where some US Marines are stationed. Among the passengers is Sadie Thompson, for who Pago Pago is only a transit stop in that she is on her way to Apia on the nearby island of Upolu, where she is to start work for the steamship company itself. Circumstances force her to stay in Pago Pago additional days, which places her in a difficult situation as she starts to run out of money. Sadie is either fun-loving or a harlot depending on one's perspective; Mr. and Mrs. Alfred Davidson, fellow passengers on that steamship, hold the latter perspective. Davidson, a self-professed deacon, is a reformer who has the ear of all the governors representing the South Pacific islands. His self-righteous and sanctimonious beliefs and attitudes include sinners needing to show true penance to achieve ultimate salvation. He believes that Sadie is a prostitute who will continue to ply her trade in Apia. He is only half right as she was a prostitute in San Francisco, until she left to start life anew. Davidson confronts her with his beliefs about her, threatening to get the governor to deport her back to San Francisco, which would be her worst nightmare as she is also escaping other things in San Francisco. By this time, Sadie and U.S. Marine Sergeant Tim O'Hara have fallen in love; Tim knows her past but still wants to marry her and take her to start a new life in Sydney. Tim does what he can to stop the powerful Davidson, who is not as righteous as he wants the world to believe.

讲述三礼女中足球队，刚开始球技马马虎虎且毫无士气，一度体育部长及教练金秀哲也想放弃，但后来教练一念之间想方设法唤醒这些女孩的荣誉心，且不离不弃训练这些女孩们，其中发生很多家庭的纠纷及事件，教练都陪着这些女孩们一一去克服，最后写下韩国全国足球大赛的传奇故事…

全新旅游实境节目《出发吧女孩》将由三位活泼女孩陪伴大家一同旅行，放开3C~说走就走，实境深度旅游，一起来期待女孩们的旅行会发生什么样的趣事吧~

这是一部以上世纪八十年代后朋克时期的伦敦为背景，由访谈、历史影像及动画交织而成的社运纪录片，带领观众回溯一群经常流连地下酒吧及艺术场所的女同们的生活。于当时的乱世中，她们因为艺术、音乐、性、政治参与和一同改变未来的宏愿而相聚；三十多年后，她们希望藉此机会，向我们娓娓道来那段叛逆岁月。

Barmaid Stella Claire and blueblood Stephen Dallas have very little in common -- except they've fallen in love. When their relationship fails, Stella decides to raise the child they had, Jenny, alone. But Jenny and Stella are far from the perfect mother-daughter pair.