根据视听档案资料，这部电影讲述了法属圭亚那的圭亚那航天中心的建立过程。

Bastian, 16, is the center of 4 boys and 3 girls' friendship. The boys play in the local basketball team where Samir, Bastian's best friend, is the star of the team, as well as the dream of the girls. But the envious and self-chosen leader Erik discovers that Samir has a secret, and soon the group's friendships are put to the ultimate test when new secrets emerge.

一位神秘的女人潜入曾经居住的大厦，要找她失踪的女儿，而给她开门的前夫却认为她寻 女心切已经疯了... 现代社会里，儿女是夫妻亲密关系的纽带，当这个纽带消失之后，家庭的稳定关 系也开始松动。发疯的妻子和看似隐忍的前夫，在情感的游戏中，受害者和加害 人的身份随时有可能发生转变。正如笛卡尔所言：“世间本没有真相，你选择的方向便成为了你的真相“

一位神秘的女人潜入曾经居住的大厦，要找她失踪的女儿，而给她开门的前夫却认为她寻女心切已经疯了... 现代社会里，儿女是夫妻亲密关系的纽带，当这个纽带消失之后，家庭的稳定关 系也开始松动。发疯的妻子和看似隐忍的前夫，在情感的游戏中，受害者和加害 人的身份随时有可能发生转变。正如笛卡尔所言：“世间本没有真相，你选择的 方向便成为了你的真相”

The project seeks to reflect about the image, and its contemplative experience from the factors of time, color and movement. We focus our view on the human-landscape relationship, facing it in two temporal dimensions: the geological and human. This definition synthesize well the will of the project: “The landscape are layers of time condensed into an image”. We seek to merge different temporal layers into a single image, proposing two exploration lines: emphasize the ephemeral and fleeting passage of man over the territory; and invite to a leisurely contemplation showing the poetry and mystery of the movements of landscape.

这是一部聚焦创作行为的电影，影片中艺术家的情感状态以及其与周遭环境的关联，生动展现了整个创作过程直至最终成果。影片对艺术家的外在行为进行了细致精准的剖析：从自恋式的自我凝视，到对外界展开极富想象力的探寻，直至迎来辉煌瞬间——画面从黑白转为彩色，寓意着人类不再忍受痛苦，而是将其转化为纯粹的创作。

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period

Perception changes ambiguously between moving images and sound. I went on a journey by water. I had been gazing at the calm sea for hours on the back deck. Before my eyes was endless sky, the nearly leaning sea horizon, strong sunlight shining on the surface of the water, and trails on the sea traced by the ship. The sound were of the engine and waves, vibrations propagated through the ship hull, and a pleasant breeze. I’m trying to sense every moment. I am here to watch the sea. Thinking this, I will daydream even before I know it. Occasional whistles make the scene in front of me clear.

Art historian James Fox explores how the power of images has transformed the modern world.