爸爸往大蛋糕上插六根蜡烛时，我悄悄许愿，希望以后爸爸不罚我做题，睁开眼，却见爸爸的脸一下子冷了，

玫瑰奖纪录片提名主持人——马克·芬内尔以不同角度来看待在本片令人咂舌的被掠夺的珍贵文物。这些被掠夺的文物，讲述了一则则当时政治、灭绝主义、英雄主义、生存以及正义的故事。带领观众们回顾大英帝国的历史，以及该历史对我们今日的世界带来什么样的深远影响。

影片讲述了一个有关政府在进行秘密的化学和药品实验的恐怖故事。卡蒂亚·温特在影片中扮演了一个记者，她的一个好朋友突然间失踪了。于是她便踏上了寻找…

当联盟、秩序与安宁被打破，世界正濒临一场新战争的边缘。在这个由人类难以掌控的危险技术主宰的新世界里，战火正在蔓延。

一个暴徒发现他有能力召唤黑暗邪恶的灵魂。根据同名漫画改编

Follow Marc Fennell on a globe-trotting, emotional quest for the truth as he unravels the twisted mysteries behind six iconic and priceless objects taken by the British Empire and meets those who want them back.

When Ena returns to Venezuela, after spending several years abroad, she discovers a postcard in her father’s bookshop and sets off in search of the forgotten writer.

六个朋友齐聚在一个偏远的寄宿家庭欢度假期。他们意外地发现那里有个洞穴。在洞穴之中，他们并不知晓等待着他们的会是什么神秘事物。

Episode of the Sea Lonnie van Brummelen, Siebren de Haan, the inhabitants of Urk, Netherlands World Premiere Episode of the Sea is the result of a two-year collaboration with the fishing community of a former island in the Netherlands. Rendered in black and white to echo neorealist drama and early documentary styles, the film evokes fishing and filmmaking as practices that have been passed on by ancestors.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.