由Mitchell Altieri和Phil Flores执导的吸血鬼电影《汤普森一家》（The Thompsons）是2007年恐怖片《汉密尔顿一家》（The Hamiltons）的续集，也被称为《汤普森：汉密尔顿2》，由原班人马拍摄和演出。 在续集中，因为加油站遭到血洗厮杀，这家人不得不逃难到英国，并且换了个新身份，成了“汤普森一家”。他们非常渴望得到这个陌生国家的保护，因此他们深入黑暗的地下寻找传说中的吸血鬼··· 不同的城市，不同的名称，同一个家庭，更大的问题！

Thompson教授偶遇拿着一个小金字塔形状装置,迷失在时间旅行中的埃及法老Apestophis,后来,Thompson教授和他的俄国朋友Boris答应帮助法老回到过去,于此同时,德国女探险家Frida得知小金字塔装置与Thompson教授的帮助法老此事,便与科学家丈夫Otto,试图从法老手中抢夺装置.为了法老返回属于他的时空,Thompson教授开始了他的探险之旅. 90年代辽艺曾译制该片.http://en.wikipedia.org/wiki/Las_Autenticas_Aventuras_del_Profesor_Thompson

迈克尔·汤普森（Michael Thompson）是密歇根州历史上服刑时间最长的非暴力罪犯，他终于获得了申请特赦的机会。在经历了25年的牢狱生涯、3次上诉以及2次特赦申请被拒后，迈克尔似乎终于有了重获自由的可能。

本片记述了著名自由作家亨特·汤普森（Hunter S. Thompson）在1965年到1975年间的生活，其中包括了许多从未曝光的影像资料。亨特·汤普森是一位特异独行的知名写手，以充满个人风格的摇滚评论方式撰写文章。他尖酸又直接深入的评论往往令人又爱又恨，十足的古怪又疯狂。这名离经叛道的作家兼记者，最后自杀身亡。约翰尼·德普主演的电影《赌城风情画》，便是改编他自传性十足的小说。

林远舟身为家族企业技术骨干，五年深耕研发，手握多项核心专利，却始终不被公平对待。家族将他的成果私分给无能亲戚，股权也毫无份额。看清被当作索取工具后，他毅然携父母远赴鹏城发展，凭过硬技术自立创业。原企业失去支柱日渐衰败直至破产，他顺势拍下老厂，守住分寸与底线，淡然放下过往恩怨。

Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly atmospheric and endlessly unsettling, The Vourdalak is a genuinely unique horror film plunges into the origins of cinema to give birth to something drastically new. Shot in 16mm, with the father-vourdalak as a menacing, foreboding marionette and Ariane Labed embodying an eerily beautiful and enigmatic daughter, the film is as paradoxical as it is magnetic. A debut that reveals the tremendous talent of a filmmaker (with a background in the arts and production design), capable of crafting a world filled with shadows, nuances, and depth using the simplest yet unexpected materials.

圣芭芭拉国际电影节和马利布电影节获得极高呼声的获奖影片。在外人看来，汉密尔顿一家就像一幅永不褪色的合家欢相片--完美得难以置信的美国家庭。他们是努力工作的合格美国公民，积极向本地的慈善团体捐款，参加市里的民意大会，对自己邻居总是非常尊重。但是，这些时常感受到他们敬意的邻居，最后往往会变成他们房子里的一具具腐烂的尸体……

Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum, as he noted: "George Dumpson was a scavenger. He created a small universe with what he found and could carry on his homemade wagon. To me he epitomized the soul of the artist. He put together what things he could in such a way as to satisfy some inner need, just as I had to make this picture of him and his place."

A young woman suffering from mysterious physical ailments is horrified to discover she's descended from generations of vampires. When with her boyfriend, she struggles to control her peculiar appetite. But it's in her blood.