影片镜头追随着比利时安特卫普的八个派对狂热分子在一个激情的下午发生的故事。他们都梦想着另一种生活，或者说生活中有点改变，驱使他们前进。当一种称为“风人”的神秘现象在街上盛行之时，他们感觉并遭受在世上无所依靠的痛苦，于是这八个年轻人选择在聚会中寻找自我，在那里一切都有可能，他们……

《吹风机》讲述的故事关于母女之间破裂的纽带，也关于一个母亲在面对正义与羞耻心的斗争时，她所能给予女儿的疏离的、懦弱的、自毁式的爱。 “吹风机”和“冰”代表着这两个缄默的，对爱与恨与性难以启齿的女人之间传达感情、传达需要的方式。也代表着一位母亲最后的奉献，代表着女孩自我麻痹式的自私，和两人之间命运的不可逃脱的重叠感。我们希望刻画一位被“耻辱”所控制的传统女性在面对疑似性侵又疑似浪漫的灰色地带时内心的的挣扎，用一种”卡夫卡式”的影像外化她内在的的潜意识世界。

《快乐趣吹风》是优酷推出的欢乐游戏冒险真人秀，节目由秦昊、大张伟、高瀚宇、颜人中、徐志胜、田嘉瑞组成“高能抽风团”，展开以“减法挑战”为核心的游戏式旅行。六位常驻嘉宾组成的“高能抽风团”，时刻保持着“卸下包袱、彻底放飞自我”的旅行状态，他们之间的互动轻松有趣、火花四溅，呈现最真实的“抽风”瞬间，碰撞出精彩纷呈的趣味群像。

“世界上有两种人：一种人，混；一种人，钻。”——刘子明在20岁出头的时候钻进了刑警队，一钻就是一辈子，他破过各类奇案怪案，小到偷抢拐骗案，大到跨国贩毒案，命悬一线的刀锋生活对刘子明来说早已是家常便饭。他玩过命，曾赤手空拳将持枪毒枭按倒在地，他斗过智，仅用一根鞋带就将一窝狂徒一网打尽；眼见血泊中身首异处的花季少年，他发誓要将凶手绳之以法；面对死者家属的冷漠与不信任，他一度迷茫到质疑破案的意义。他曾因荣誉加身而得意忘形，结果犯错被停职，跌入人生谷底，但他，终凭着信念证明自己，坚守正义。 面对罪恶，刘子明勇往直前，永不妥协；回到家庭，他却当不好一名丈夫和父亲，他心怀愧疚，却无能为力……当光环褪去，刑警刘子明同你我一样，艰难却努力地前行着……

离开教育行业五年的郝楠，在经营店铺失败后，重回教师岗位。十八岁的任真因不靠谱的父亲导致高考落榜，在天台遇到了同样失意的郝楠，然而郝楠却用自己的亲身经历鼓励了任真。巧合的是，成为青云中学高三14班班主任的郝楠与新入班的任真再度相遇。在随后备战高考的日子里，郝楠与班里的学生从互相不理解到惺惺相惜，在他的努力下，这群憧憬未来的少年逐渐敞开心扉，开始信任这位特殊的老师。郝楠了解到每个学生的梦想和想要实现的人生价值，他如同麦田里的守望者，守护着一个个心怀梦想的少年，让他们积极为未来奋战，以饱满的状态应对高考，迎接各自的灿烂人生。

张向阳1岁的时候母亲病逝，父亲张恒远再婚，向阳跟着奶奶在大伯家长大。向阳10岁的时候，奶奶去世，张向阳不得不回到新家。面对与自己生疏淡漠的儿子，张恒远感到非常歉疚，主动亲近向阳，花更多时间陪伴向阳，父子间的奇葩相处笑料不断，向阳也渐渐接受了这个像大孩子一样特立独行的奇葩父亲。

以改革开放初期为背景，讲述了1980年春天，两个向往美好城市生活的贵州山村孩子，在去寻找城市的途中，所经历的一系列既妙趣横生又蕴含深意的故事。

kakao TV原创综艺节目《Change Days》是一档情侣重置节目，为因为长期恋爱、工作、性格倾向、恋爱方式的差异等原因而失去心动的2030情侣们寻找“新开始”。3对情侣通过一周的旅行，各自思考自己想要的幸福恋爱形态，寻找"为了我"的真正幸福结局。 每对情侣在旅行最后一天将会抉择是否要与现有的恋人继续恋爱，还是选择美丽的离别，或者会迎来新的开始，最终决定的新鲜形式备受瞩目。

On the border between United States and Mexico, once every 20 years, there are days that locals call timelessness. At this time the gods, to whom the ancient Mayan tribes made sacrifices, descend to earth to take human souls.

The film Days of Eclipse is based on a novel by famous Soviet science fiction writers — brothers Arcady and Boris Strugatsky. The action has been transferred to the Central Asia where a young Russian doctor gives treatment to children and tries his hand at writing. Introducing us a young contemporary at the crossroads (for the first time in Sokurov's work), this film becomes the first part of a cinema trilogy. This character, whose formative years pass in the situation of broken and showing its cracks way of life, becomes a link between three of Sokurov's films. The whole 'trilogy' is joined together by the bitter irony regarding worn–out sacral symbols. Films Days of Eclipse, The Second Circle, The Stone, made in different years, are linked up with each other by one common plot: permanent co–existence of real everyday life, of so to say daily routine, with messages or messengers from Nowhere. The young athlete from Days of Eclipse played by young non–professional performer Alexei Ananishnov is no less an archaic symbol of the former power of the collapsed Soviet empire than a recording of Brezhnev's speech sounding in the film or huge plaster cast Hammer and Sickle sticking out in the desert. Dmitry Malyanov from Strugatsky's novel A Milliard Years before the End of the World has nothing in common with the character of Days of Eclipse beside the name. In fact, for Sokurov's hero the end of the world has already come and the border of this end has fallen on his life. The character who has been brought to the world of alien climate, alien speech, alien customs, learns not to be surprised at the cases of violence against others and himself — in order to survive, speaks to a dead body, tames and feeds exotic reptiles, and, on top of that, meets an angel appearing as a child. This film was successful with the cinema audience of Perestroika years. Alexei Ananishnov later played the main part in one more film by Sokurov Mother and Son. The film has been listed by the European Cinema Academy among 100 best movies of the XX century. Alexandra Tuchinskaya English translation by Anna Shoulgat, © 2002. Prizes and awards: 1988. Special Award Felix of the European Cinema Academy to the composer Y. Khanin. 1988. NIKA Award of the Filmmakers' Union of the USSR to the Director of Sound V. Persov as Best Director of Sound. 1989. Laureate of the competition for Best Russian film of the year. Award of the Filmmakers' Union of the USSR to S. Yurizditsky as Best Director of Photography.