An erotic look at the casting process for a Broadway stage show. Cheryl Cooper is a veteran dancer who wants to be cast for a part, but is held back by the vindictive choreographer Bertha, whom she had a past tryst with. So, Cheryl resorts to seducing the director Sidney to land a part. Meanwhile, the sleazy producer Ed has sexual encounters with every woman he meets, while Manny, the financial backer, clashes off against Rue, an egoistical local talent agent who is trying to cast the popular Mona Randall for the lead in the play, while Mona has a meeting of minds and bodies with Manny's business partner, Frank, to ensure that she land the lead.

JTBC《呼唤代理公司》在全国各地需要代理的人们的呼叫下，无论哪里都会奔去。全炫茂和Mimi，演员高圭弼，笑星梁世灿一起合作。只要是委托人需要帮助的现场，我都会去。从代理妈妈、爸爸、儿子、女儿、孙子、孙女等家庭，到代理销售员、里长、游乐园、广播公司、职场等职业。还将代理照顾宠物、和解、零用钱协商、告白。

KBS2新音乐综艺《合唱》是被称为“演唱之神”的歌手们聚在一起来寻找最合适合唱搭档。决定合适的搭档后，在演播室观众面前进行录影，通过比赛选出最好的二重唱。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

KBS2全新音乐综艺《合唱》，节目中“演唱之神”级别的歌手们齐聚一堂，共同寻找最合拍的合唱搭档。确定合适的搭档后，他们将在演播室观众面前进行录制，并通过比赛角逐出最佳二重唱组合。

This is a typical early Mrinal Sen film. Bold, brash and hammering home his political philosophy. The difference is in the treatment and the screenplay. This film uses the idiom of the absurd theatre to make its point - typical of Mohit Chattopadhyay's plays . Thus we have Robi Ghosh, in many a disguise, acting as the "Sutradhar" and delivering the political message. The film juxtaposes this stylisation and caricature with neo-realism and documentary sequences to say that the "Gods" or the capitalists really have feet of clay. there are too many people, too many problems and too few solutions. Ultimately, the film predicts the rise of the masses wheen the ruling capitalists will have to run and will become ineffective in the face of the upsurge that is waiting to happen. The allegorical treatment and stylisation notwithstanding, this is not a subtle film. None of the early films of Mrinal Sen were. It is an out and out political film meant to deliver a communist message. It predicts and even adulates anarchy. Still it is a film that makes you think and the collage of events, often unassociated, helps put through the underlying message. There was little scope of acting in this film and all the actors play their bit parts well. What is pleasing is the music by Ananda Shanker and Prashant Bhattacharya. Editing is also good, holding the film together and not letting it's basic theme lose its way among the myriad incidents. This is a film for the thinking individual, no matter that, at the end of it all, you are still unimpressed and still think that the philosophical content is too immature, too simplistic. Camerawork by KK Mahajan is outstanding. The film won the Golden Lotus for best film and best music in 1975.

2015年中国金鸡百花电影节学院奖短片大赛（北京电影学院学院奖）优秀短片奖及最佳音响提名 2015年中国国际微电影大赛最具人气奖提名 入围2015年北京大学生电影节大学生原创影片大赛 2015年横店影视节——微电影单元“文荣奖”提名 这是关于一个曾在少年时对合唱活动留下心理创伤的大学生何一 明想要重新参加大学合唱比赛的故事。从彩排一开始，何一明遇到了曾与他一起长大的女孩吴婷婷，他内心深处想要忘记的黑暗经历也 随着病症的日趋严重而被重新唤醒，他们将共同面对这场不得不参加的合唱。 本片是2012级北京电影学 院导演系进修班毕业作业，但一直到2015年3月才完成，做为新导演的处女座，由于种种条件限制，导演不仅身为编剧，也完整负责了剪辑、特效等工作。

讲述了新中国成立初期，一群年轻的地质工作者尤其是八位女地质队员，为寻找石油资源，深入大漠戈壁。她们以大无畏的牺牲精神，用青春与生命为国家献力，展开了一场为信念同行、与自然抗争的生死勘探。

职业罪犯小吉尔伯特·加尔文（乔什·杜哈明 饰）从美国监狱逃出并越过边境进入加拿大，在加拿大，他化名为罗伯特·怀特曼，有了新的身份。 在坠入爱河并结婚后，他声称接受了一份旅行安全顾问的工作，但他大胆的犯罪行为仍在继续。在他向终身黑帮成员汤米寻求投资后，他的事业变得更加复杂，他卷入了加拿大历史上最大的抢劫案，这使他成为跨国追捕的核心人物。