1945年波兰人民军在原德国集中营中关押德国战俘与阶级敌人，一名新参军的看守爱上了关押在其中的波兰女孩，受其影响最终走向了新生[展开全部]　1945年波兰人民军在原德国集中营中关押德国战俘与阶级敌人，一名新参军的看守爱上了关押在其中的波兰女孩，受其影响最终走向了新生[收起部分]

作为实用价值而诞生的油纸伞手艺，随着众多新产物的冲击，其实用价值不再，作为小众艺术品存在着。面对现代如潮水般的冲击下，本就不景气的油纸伞小店该如何面对？主人公苏师傅该作何选择？油纸伞手艺又该何去何从？

豆瓣评分：7.4 片长：101分钟 导演：Chad Ahrendt 年代：2009 地区：美国 类型：剧情 / 同性 语言：英语 编剧：Chad Ahrendt 影片别名： 更新时间：2018-01-19 上映：2009 主演：Eric Nenninger / Jack Maxwell

@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演：赵善恒/Sin-Hang/Chiu/駱子康/编剧：赵善恒/章彦琦/主演：苏雅琳/何洛瑤/赵善恒/梁祖尧/谷德昭/岑珈其/李敏/上映：2023-03-27更新：2023-07-26 17:32:51，最后更新于1年前集数：更新至第14集评价：

故事圍繞一間提供專業調解服務的調和中⼼，要探尋衝突背後的因，⽅得化解⽭盾的果。兩種不⼀樣的觀點和立場，要怎樣才可找到共存的空間 ? 劇中演員蘇雅琳、何洛瑤，聯同導演暨演員趙善恒及導演駱子康現身簡介劇集[展开全部]　故事圍繞一間提供專業調解服務的調和中⼼，要探尋衝突背後的因，⽅得化解⽭盾的果。兩種不⼀樣的觀點和立場，要怎樣才可找到共存的空間 ? 劇中演員蘇雅琳、何洛瑤，聯同導演暨演員趙善恒及導演駱子康現身簡介劇集。[收起部分]

演员：苏雅琳 何洛瑤 赵善恒 梁祖尧 谷德昭 岑珈其 李敏 导演：赵善恒 Sin-Hang Chiu 駱子康 类型：香港剧 剧情 剧集 状态：更新至第14集更新时间：2025-03-18地区：香港 年份：2023 语言：粤语 介绍：本片(剧)又名Beyond the Common Ground，是一部香港制片作品的剧集，于2023年上映。对白语言为粤语，目前豆瓣评分8.0(仅供参考)。...更多 

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.