哈伦·法罗基（Harun Farocki）五十年的电影和影像素材被转化为一种视听语汇，从 A 到 Z 传授着法罗基的关键理念。这部视频论文的灵感源自法罗基一生对电影和媒体教育功能的痴迷。该作品由全球领先的德语教育机构歌德学院（Goethe-Institut）委托制作。

What can be learned from watching only the moments when an artist appears in his own work? Harun Farocki appears in 24 of his own films; his time on screen totals 2 hours and 21 minutes: enough to form a movie in itself. The footage reveals a remarkable, evolving relationship between a man and his own images.

This desktop investigation asks: how can one begin to learn about Farocki? Starting with a naive search for his name online, this film scans over his body of work and asks how one should begin to watch it. By using different methods to make sense of Farocki's images, a key concept emerges: the counter-image.

《哈伦·法罗基——再一次》结合了对电影制作人哈伦·法罗基的两种视角。在他1996年的电视纪录片《现实问题：一部关于纪录片的拼贴》中，洛塔尔·舒斯特与自20世纪60年代末就相识的法罗基进行了一次长时间的交谈。法罗基探讨了启蒙运动的理念、他电影的构图模式、……之间的关系。

讲述伍迪·艾伦、米亚·法罗及两人组建的家庭背后的故事，深究两人关系背后的丑闻，包括伍迪·艾伦被指控性侵以及家庭影像片段、法庭文件、警方证据和此前未曝光的录音内容等

Fårö Document 1979 is the ten-year followup to the first documentary Bergman made about his adopted home, Fårö, where he filmed many of his best works and lived until the end of his life

纳瓦荷族印第安少年 Thomas Blackhorse 一向不太接受自己民族的各种传统风俗习惯，由于家人的关系，Thomas 只好留在区内的水牛保护区工作。一天，从城市搬来的科学家儿子 Josh Townsend 被安排在当地的科学研究所工作，但为了能骑山地车，Josh 决定转到水牛保护区工作。最初 Thomas 对 Josh 没有好感，但仍将自己的朋友介绍给 Josh 认识。相处过一段日子后，两人的友谊逐渐建立起来……