1989年法国南特第三大陆电影节银奖 Yekta, 11-year-old, is born and still lives in a mysterious, castle-like house, at the shore of the Bosphorus, together with her lame seagull, her aunt, Nukhet Seza, a spinster, and her grandfather, Sirri, paralyzed and bedridden, following the death of his son and bride. The bedroom of her mother is the place where Yekta takes shelter in, to daydream and hide her secrets. All she knows about her mother that she had left one day in a little boat on the Bosphorus ant that she would never return. One night, Yekta sees her mother go by in a little boat, through the window pane of her mother's room. But no one believes her. Her younger aunt Neyyir, an English language teacher living on the Burgaz Island, wants her to be registered in the boarding school on the island. She thus aims to get her away from her longing for her mother and from that weird, hunted-like house. But Yekta is unwilling to go the island. One day, just like her mother, she leaves in a little boat and gets offshore. She is found before getting drowned. After a short while she sets off for the island, along with her aunt, Neyyire. Born in 1960, Reha Erdem began his studies in history at Bogazici University in Istanbul. In 1983, he went to Paris 8 University to major in Cinema and Modern Art and completed a graduate degree. He directed his first feature film - A Ay (Oh Moon) in 1989. It received awards at the Nantes Film Festival, and was screened at the Locarno, Moscow, Vancouver and Dunkerque Film Festivals. His second feature - Kac Para Kac (A Run for Money, 1999) represented Turkey at the Academy Awards for Best Foreign Language Film. It was featured at the Tokyo, Munich, London, Oslo, Thessaloniki and Seattle Film Festivals, and also was screened in the 3rd Boston Turkish Film Festival in 2004. Erdem was invited to direct Hizmetciler (The Maids) by Jean Genet for the Istanbul National Theater in 1991. He directed a short film called Deniz Turkusu (The Sea Song), inspired by the poem of famous Turkish poet Yahya Kemal Bayatli. Since 1990, he has directed over a hundred TV commercials. In 1993, he founded Atlantik Film production company with Omer Atay.

来自维也纳的前职业自由搏击运动员莎拉接受了中东一个富裕家庭的私人教练工作。她发现自己置身于一个陌生的世界，在一座墙后的宫殿里，与互联网隔绝。而莎拉负责教授的这些女生们被全天候监视着，她们对学习拳击没有兴趣。那为什么把莎拉带到这里来?

前职业自由搏击运动员莎拉来自维也纳，她接受了中东一个富裕家庭的私人教练工作。她发现自己身处一个陌生的世界，在一座墙后的宫殿里，与互联网隔绝。莎拉负责教授的女生们被全天候监视着，她们对学习拳击毫无兴趣。那么，为何要把莎拉带到这里呢？

Ayyur, which means “moon” in the Amazigh language, paints a contemplative portrait of two children of the moon. In Ayyur, Zineb Wakrim depicts marginalized rural children with tenderness and humanity. This rare hereditary disease makes them hypersensitive to ultraviolet rays and prevents them from being exposed to the sun. The two 14-year-olds, when not covered from head to toe and locked in a spacesuit so they can step out into the light of day, find refuge in art and painting.

Mixture of animation and live action. Real and human rats.

平静的金山村庄，性格火爆的斗元（李熙俊）接到唯一的女儿宝美遭遇肇事逃逸事故的消息。现场唯一的目击者是患老年痴呆症的妈妈文熙（罗文熙）和只会汪汪…

在一个多少世代与世隔绝的大山里，终于要迎来新的变化，从这天起，有列客车将在这小山村里停留一分钟。为了见识有生以来第一次见到的火车，香雪穿上了新…

达利波（搜索 约瑟夫·阿布汉姆 Josef Abrhám 饰）是一名书商，事业说不上成功，也算不上失败。然而，达利波的日子过得却十分的辛苦，常年挣扎在贫困线上，这是为什么呢？原来，达利波是一个典型的花花公子，更糟的是，他的桃花运好的爆棚，因此，经历了好几段失败婚姻的他不得不将大部分的积蓄都用在了支付赡养费上。 一次偶然中，达利波发现了一个赚钱的妙招。在外就餐时，他总是会被人误认为是服务生，于是，达利波一不做二不休，索性假扮成服务生的样子，出没于各大餐厅之中收取餐费，最终这些钱当然是都流入了他的口袋。东窗事发之后，达利波将受到法律的制裁。

暂无剧情简介

The protagonist is in the throes of a mid-winter fever dream, its scenes alternating between fiction and reality, conflating and intertwining the two to shape a singular, albeit fractured narrative. It constitutes the first and most overt of Benning’s engagements with fictional premises.