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    探索发现:唐墓壁画中的丝路风情 - 电视剧

    2016中国大陆
    介绍了在陕西发掘出土的数百幅唐墓壁画。这部纪录片以陕西历史博物馆为起点,走访丝路之路上的八处大型博物馆和十处重点考古遗址,探讨丝绸之路对中华文明发展的贡献。
    探索发现:唐墓壁画中的丝路风情
    搜索《探索发现:唐墓壁画中的丝路风情》
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    壁画 - 电影

    亚美尼亚·俄罗斯·德国
    导演:Aleksandr Gutman (Alexander Gutman)
    The Armenian nation suffered two great catastrophes in the last century. In the First World War it was the genocide carried out by the Turks; in 1988 it was a devastating earthquake. After Armenia was able to finally achieve independence, over a million people left the country. Gravedigger Garnik, stonecutter Arut, orthodox priest Tatul and little Varuzh, however do not intend to leave their homes. They spend their days in the giant cemetery in the town of Giumri, which had been almost completely destroyed by the earthquake. In scenes of lyrical images, renowned documentary filmmaker Alexander Gutman effectively explores the borders between a town that is both and alive and dead and between childhood and adulthood. The combination of black and white, color, and yellow-black footage intensifies this gradually emerging insight into the Armenian soul.   Frescoes was shot in a small Armenian city that was almost completely destroyed by an earthquake in 1988. Soon after that tragedy, Armenia gained independence. The earthquake destroyed one city, but built another: the city of the dead, the cemetery. The central figures of the film are a young boy, a priest, a gravedigger and two stonemasons, who spend their days at the cemetery. Contrary to what one would expect, this is not only a place of death. There are conversations about the big and small things in life; people drink and laugh; a birthday celebration is held. The boy’s baptism and a flock of white doves released at a wedding ceremony symbolise the optimism and vitality of this small community and, by extension, the whole of Armenia.
    壁画
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    基辅壁画 - 电影

    1965苏联剧情·短片
    导演:谢尔盖·帕拉杰诺夫
    演员:Tengiz Archvadze Vladimir Artman Alexandr Kotchekov
    Edited screen tests of Parajanov's unfinished film. On the twentieth anniversary of the liberation of Kiev from the Nazis, a film director pays a stevedore to deliver a bunch of flowers to a general. By accident the director gives the wrong address and the stevedore delivers the flowers to a war widow who is currently working at an art museum.
    基辅壁画
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    洞穴壁画 - 电影

    2023奥地利短片
    导演:Siegfried A. Fruhauf
    It’s all the rage to evoke spectacular ‘immersive’ cinema today, but nothing matches the immersion effect of a Siegfried A. Fruhauf film. Agglomerating the textures of cave surfaces with the material traces of filmic processes, Cave Painting offers a trippy visual and sonic journey for the senses that evokes an avant-garde, grunge version of the psychedelia in Stanley Kubrick’s 2001: A Space Oydssey. Don’t blink, or you’ll miss something good. As always, Fruhauf conjures a new world.   源自:https://iffr.com/en/iffr/2023/films/cave-painting
    洞穴壁画
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    风格 - 电视剧

    2009韩国爱情·喜剧
    导演:吴钟禄
    演员:金惠秀 柳时元 李智雅
    Style是以描述时尚界的华丽职业的世界中隐藏的人类欲望的同名小说为原著,述说主角们的工作和爱情,服装界的激烈竞争,公司内权力关系等
    风格
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    风格 - 电视剧

    2009韩国爱情·喜剧
    演员:金惠秀 柳时元 李智雅
    风格
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    壁画野男孩 - 电影

    2013葡萄牙短片
    导演:尼古拉·布雷纳
    夏令營的生態也是好殘酷的!夢中情人不看他、高年級生霸凌他,連老師都懶得理他,男孩憂鬱但並不害怕,因為他知道在森林深處,某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀,為充滿奇趣幻想的男孩心事添上獨樹一格的配樂,交織出一首個性十足的影像短詩。
    壁画野男孩
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    壁画野男孩 - 电影

    2013葡萄牙短片
    导演:尼古拉·布雷纳
    夏令營的生態也是好殘酷的!夢中情人不看他、高年級生霸凌他,連老師都懶得理他,男孩憂鬱但並不害怕,因為他知道在森林深處,某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀,為充滿奇趣幻想的男孩心事添上獨樹一格的配樂,交織出一首個性十足的影像短詩。
    壁画野男孩
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    日式风格 - 电视剧

    2022日本剧情
    导演:深川荣洋
    演员:仲野太贺 市川实日子 要润
    テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。
    日式风格
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    摄影风格 - 纪录片

    2007美国纪录片
    导演:Jon Fauer
    CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.
    摄影风格
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