《巴塔木情景英语》由3D动画故事和2D英语知识点两部分组成。动画部分打造了一个温暖，友爱，激动人心和充满想象力和创造力的世界。在这里，即使是雨中漫步，园中种树这样的日常小事也会产生不一般的乐趣。在巴塔木世界里，学习和玩乐有机的结合。通过沉浸式的体验和知识点部分的英文讲解，小观众们可以吸收到很多关于社交，情感和实用场景的重要知识，并学会一些简单实用的英语词组和短句。比如：通过倾听，分享，互相尊重，团队合作及解决问题来建立积极的关系，通过对自然的探索发现，培养好奇心。虽然这部剧旨在教育，但其核心驱动力是剧中角色与观众的情感连结。正因为观众和角色之间有所映射，作为两者情感联系的自然延伸，知识的获取也变得水到渠成。

巴塔木情景英语教会小朋友们常用单词、流行儿歌，同时还能教他们学习绘画或制作巴塔木系列中的所有角色。巴塔木系列总是寓教于乐，充满欢乐，深受不同年龄段人群的喜爱。

この作品において、イメージは複雑に交錯する。カメラで多重露光された像は、重ねられる毎に光が集積し、限り無く光の白へと向かう。自家現像処理によってフィルムの表層に刻印された傷や色ムラは、支持体としてのフィルムそのものの存在（＝像）を否応なく認識させられる。女性は風景の如く静止し、最後はまさに静止画として現れる。スライドフィルムを揺れるカーテンに投影することで、静止画像を〈動く像〉へと変換した。この幾重にも仕掛けられたイメージのからくりの中で、私達が自明のものとして見つめているイメージが如何に不確かで繊細なものであるかを明らかにした。

Nicolas Cage饰演Paul Matthews，一个拥有终身教授头衔的平平无奇家庭男子，热爱进化生物学以及对自己的一事无成感到焦虑。有一天，他发现自己出现在别人的梦中。和生活中一样，他在这些梦中的存在是平庸和非侵入性的——他只是在那里，冷漠地盯着陌生人的幻想和噩梦。尽管如此，他一夜之间成为了一名名人，享受着爆火的洗礼。但是，保罗逐渐发现这是一个潘多拉的盒子，梦中的自己开始莫名思妙地变得暴力……

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

金·叶赛宁遭遇创作瓶颈，便带着朋友和年轻情人前往一座偏远小镇寻觅灵感。他邂逅了名叫萨莎的博物馆导游，萨莎美丽、聪慧且受过良好教育。萨莎曾是潘菲洛夫早期作品的忠实拥趸，却对其那些广受赞誉的作品颇有不满。萨莎爱上了一位才华横溢的历史学家，这位历史学家做出了一个艰难且改变人生的抉择——离开苏联，他因成为异见人士而丢了工作，只能靠挖墓维持生计，同时等待离境许可。

种族、认知和后果成为三个人生活的核心，因为法官马修斯意识到他不能再对自己在法庭上的行为视而不见。@www.sozu8.com

一位自私自利的凶杀案侦探摇身一变成为畅销书作家，他与自己的爱人携手追寻他所追捕过的最凶残的连环杀手，在此过程中，他自己的理智也逐渐崩溃。

2012年同济毕业季作品。

在这部电影中，查尔斯·德库克雷尔（Charles Dekeukeleire）将古代和现代大师的肖像与电影中真实人物的肖像进行了比较，以证明“人们的灵魂在几个世纪里没有改变”。“灵感”不断从现在跳到过去“不可否认，这两部电影都以前卫电影为标志，德克凯雷尔以《日尔曼·杜拉克》风格的诗歌电影和各种蒙太奇电影为其贡献了力量，这些电影与鲁特曼电影和苏联电影的密切关系，而非20世纪30年代纪录片的新趋势。”，史蒂文·雅各布斯的《比利时艺术纪录片》（第36页和第37页）这部电影获得了1938年威尼斯国际电影艺术展的金奖。