A miracle independent film capturing the growth of a single baby over a period of 3 years. The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers. 源自：https://jff.jpf.go.jp/watch/ic2023/films/hey-our-dear-don-chan/

伊藤源太郎（吉田钢太郎饰）和妻子千鹤（MUGUMI饰）住在东京。，三个女儿各自离开娘家生活。长女由香（木南晴夏饰）单身，工作顺利，但有不伦倾向。二女…

健作（田中圭 饰）是一名平凡的公司职员，深深敬仰作家太宰治。某天，他与妻子美代子参加完婚宴返家途中，意外来到太宰曾企图殉情的海边。兴奋不已的健作无视妻子的劝阻，执意走入幽暗的洞窟，没想到在洞穴深处，竟遇见一个与太宰治一模一样的男人！难道，他穿越到了太宰治生活的时代……！？

Following the death of his wife, a broken man spirals into an abyss of night tremors and depression and finds himself in the home of a deranged cannibal who convinces him to take his own life in the most horrific way imaginable.

葛饰应为生活在艺术几乎完全由男性主导的江户时代，尽管她是北斋之女，但仍作为屈指可数的女性画师活跃于画坛。她拥有连北斋都称赞“在美人画方面胜我一筹”的绘画天赋，同时性格火爆、刚强、烟不离手，是个豪爽洒脱的女性形象。 《喂，应为》的主人公阿荣是北斋的女儿、得力助手，展现了惊人的绘画天赋。她从父亲那里获得了“葛饰应为”这一画号，这个名字源于北斋常常喊她“喂，饭来！”“喂，笔来！”等日常呼唤，“应”代表回应，“为”则有作为、成就之意，是从师父传给弟子的名号，也是父亲传给女儿的象征。尽管她不会泡茶，也不擅长针线活，却以继承自父亲的绘画才华与胆识，在男性社会中闯出一条路。

暂无剧情简介

“哎”和“喂”是一种声音，一种呼唤的简单形式，它可以有很多种意义：初期可能是冷漠；中期也许是默契；最后则变成了既熟悉又陌生的记忆。影片采用日记形式的语言表达，淡淡暖色调的彩铅手绘，极少的动作，温和的节奏，凭借语言和声音的表达，营造清新温和的叙事节奏，纪念那些有同桌的日子。同时，表达动画对声音的诉求。

老人每天冒着大雪带着鱼缸出门，垂钓放生，放生垂钓。回家后，喝一碗冒着热气的粥，吃几个土豆，然后对着墙壁上亡妻年轻时的照片发呆。睡前帮亡妻的枕头被褥铺好，躺下来翻来覆去睡不着。有一天，老人在风雪路上救了一只奄奄一息的小鸟，小鸟从此不走，吱吱喳喳绕在他身边飞，成为老人的玩伴。天寒地冻，小鸟饥饿，老人杀了鱼喂小鸟。不知从哪里来了一个小孩，一直想抓老人的小鸟玩耍。在接触下来，小孩渐渐成为老人的精神依靠，老人又烤了小鸟给小孩吃。最后，小孩因为老人而罹难，老人最终卧床病逝，化成一只鸟飞向大雪山 。

While working on a documentary about the city of Bruges, an artistically frustrated filmmaker must deal with the increasing difficulties in his marriage.

影片讲述一个孤独老人在雪山中与鱼、鸟，一个小孩发生的情感故事