莫琦在目睹一场文物交易时不慎落水失忆，醒来遇到旧相识吴可凡，得知莫琦失忆后两人开始合力寻找记忆，却不想陷入了无尽的麻烦之中。

三个不同背景、性格迥异的男人，直接或间接的因为“参王镇”康福药厂老厂长王康福的逝世而引发的连锁反应导致生活陷入了绝境，于是三人结盟，展开了对康福药厂一颗“百年野参王”的盗取计划.却不曾想真正的幕后操盘手正在默默注视着一切。

一亿元人民币可以买到什么？2012大船的船票！　　跑到内地躲债的香港古惑仔、梦想着去香港闯荡黑社会的内地小混混、失去记忆的海归“富二代”妙龄女郎…

本片为中国传媒大学艺术学部动画与数字艺术学院15级学生大三联合创作。

每隔十二年，喜马拉雅山脚下的森林裡，挑选出来的人们戴上面具，隐藏性别，放下世俗身分，彷彿死去般的过著为期两週、与世隔绝的奇异戒律生活。在等待的…

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

一场都市生活的闹剧，一次道德底线的碰触，一出令人捧腹又倍感心酸的演绎，一声无奈地呐喊——《贼》这一部高清作品向我们绘声绘色的讲述了生活在都市底层的无业小青年、痴傻的乞讨者以及善于伪装的小偷之间发生偷窃与被偷窃，侮辱与被侮辱，人性的挣扎与沉沦。当这种小人物式的沉重被用一种活灵活现又不失幽默地口吻讲述出来，给人一种加倍的心灵触动，让人深省......

一个离家多年、玩世不恭的儿子，一个孤独无依、患上老年痴呆的父亲，生活让他们分开，命运又把他们紧紧捆绑在一起。从最初的敌视，默然到逐渐地心灵接近，逐渐地找到他们曾经共同拥有的爱和力量，这对活宝般的父子携手面对着属于他们的风风雨雨、悲欢离合与人生百态，他们不离不弃。儿子海皮落魄地回到家乡，突然面对着不再认识他的父亲，他以为这会是一场父子之间战争，后来他发现自己错了，这不是战争，而是我们终将面对的命运和成长历练。海皮开始学会做一个真正的男人。

即会游泳又会飞翔，一张大嘴巴还会说话，踏遍天涯海角找妈妈。这就是小汽车奔奔。奔奔是从一个汽车工厂的蛋里孵化出来的，小男孩Ken偶然路过时听见了奔奔的哭声，于是发现了奔奔。他们迅速成为了好朋友，踏上了寻找妈妈的奇幻旅程。在路途上他们遇见了名叫Mister的小狗与他们结伴而行；也碰到了邪恶的猴博士妄想把奔奔据为己有；他们踏过高山，经过平原，一路追随寻找。旅程充满着欢乐与惊险，深受大家的喜爱。这部1985年出品的动画，成为了很多80后的回忆，尤其是它的中文主题曲，很多人都能唱上二句，不同于其它寻母的动画片主角，这次是拟人化的小汽车，所以故事也就格外有趣，令人印象深刻。