十八岁的女孩格蕾丝·贝内特（塞琳娜·戈麦兹 饰演）终于结束了苦难的高中生活，她和辍学的好友艾玛·帕金斯（凯蒂·卡西迪 饰演）一直都梦想着去巴黎旅…

云起http://www.mtime.com/my/gmzyq/　　格蕾丝、艾玛和梅格是三个好朋友。虽然她们性格迥异，但却有着同一个愿望，那就是去巴黎游玩。在存了很久一段时间的钱之后，她们三个终于有“经济实力”去巴黎自助游了。　　可是这次的巴黎之行却是一个悲剧的行程。旅馆又小又破、巴黎的街头显然无法和美国相比、博物馆之旅又太过于匆忙，而且她们还错过了旅行巴士。从诸多方面来看，这次的旅游是糟糕透顶的选择和令人难堪的回忆。为了找回一点巴黎的美好印象，这一行人鬼鬼祟祟地溜进了一家5星级饭店，就在这里，格蕾丝被误认为是英国名门望族的女后代，所有人－－从家人、爱慕者到饭店的服务人员和媒体都对此深信不疑－－格蕾丝就是那个叫做科迪莉亚·温斯洛普·斯科特贵族富家小姐。　　也许是为了弥补巴黎之行的遗憾，或许是饭店送上的超大龙虾和珍馐美味让她们欲罢不能，格蕾丝假扮成了斯科特，而艾玛和梅格则变成了她的朋友和随从。阴差阳错之下，三个人一起被送到了摩纳哥的首都蒙特卡洛。在那里，一切开始变得梦幻和美好，她们得到了女孩子所希望的一切，名牌的鞋子和包包、数不清的华服和价值连城的首饰。　　格蕾丝原先只准备体验一下“富二代”的生活就和朋友全身而退，但是她却和一个叫做赛罗的帅哥共坠爱河。赛罗相信他眼前的这个女孩就是斯科特，而当真正的斯科特来到这里的时候，她们所作的一切，包括那段浪漫而纯真的爱情，又该如何收场？

这部电影是关于一个丢失了的孤儿的故事。奥黛丽·赫本作为配角饰演一位女演员。 　　As they are waiting for a divorce, young movie star Malissa Farrell and famous pianist Rudy Walter have left their baby, Johnny, with a child minder in Le Vésinet. Marinette, the latter's daughter, who has been assigned to return the young Dubois to his parents, mistakes Johnny for the other kid. As she can't find Mr. and Mrs. Dubois, Marinette entrusts Max, Mrs. Dubois' father and the drummer in Ray Ventura's orchestra, with the care of the baby. Max, who must join the other musicians in Monte Carlo, where the band is due to play for the Jazz Festival, has no other choice but to rake the little one along with him. Written by Guy Bellinger

艾米丽（莎拉·米尔斯 Sarah Miles 饰）曾经是一名妓女，在攒够了钱之后，年岁已高不再适合这份工作的她带着身为孤儿和她相依为命的侄女米斯特拉尔（丽赛特·安东尼 Lysette Anthony 饰）离开了修道院，千里迢迢奔赴蒙特卡洛，准备在这里摆脱复杂的过去，展开新的生活。 　　艾米丽改名换姓，隐藏了一切过往，在他人眼中，雍容华贵的她是充满了秘密的伯爵夫人，而米斯特拉尔随着年龄的增长，其美貌的荣光已经无法再掩藏。这一对神秘的外来女子成为了当地居民们茶余饭后的谈资，而米斯特拉尔亦发现那些围绕在她身边络绎不绝的追求者们，其实内心里都在打着各自的算盘。

艾米丽（莎拉·米尔斯 Sarah Miles 饰）曾经是一名妓女，在攒够了钱之后，年岁已高不再适合这份工作的她带着身为孤儿和她相依为命的侄女米斯特拉尔（丽赛特·安东尼 Lysette Anthony 饰）离开了修道院，千里迢迢奔赴蒙特卡洛，准备在这里摆脱复杂的过去，展开新的生活。 　　艾米丽改名换姓，隐藏了一切过往，在他人眼中，雍容华贵的她是充满了秘密的伯爵夫人，而米斯特拉尔随着年龄的增长，其美貌的荣光已经无法再掩藏。这一对神秘的外来女子成为了当地居民们茶余饭后的谈资，而米斯特拉尔亦发现那些围绕在她身边络绎不绝的追求者们，其实内心里都在打着各自的算盘。

这是一部都市刑侦剧，据悉，该剧于2019年11月11日在腾讯视频播出。香港机场特警组（ASU）是准军事化特种警察部队，主要责任是维持机场警区的公共及航空安…

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

《兔子机场》是一部法国快节奏的喜剧。该片中的所有动物，甚至河马都能飞。奈德和弗雷德这对兔兄弟也会飞，只是他们的姿势没有其他人那样的优雅。奈德和弗雷德这对兔兄弟决定要开一个机场。他们兄弟俩在一群永不停息的飞行生物中，肩负着重大的则责。奈德总是把这些责任留给弗雷德，这样他就可以专注于想办法来让机场变得更有趣一些。幸运的是，他们的朋友总能够及时给予他们帮助。Cookie，一个爱八卦的小松鼠，拥有温暖而热情的声音；Moppet，一个精力充沛的青年鹿实习生；Hughes，一个聪明、多情、目光短浅、又令人费解的老狼。每当奈德和弗雷德让事情失控时，这群朋友总是会不惜一切代价，排除万难让机场回到正轨。