一个神秘的飞行器坠毁在塞浦路斯一个名不见经传的小村庄里。坠毁点既是男主角家门口的土豆田，又和联合国控制的缓冲区相毗邻。于是平日安静的小村庄顿时变得鸡犬不宁。一边是国际组织暗中来取飞行器，一边是男主暗自计划把飞行器挖出来抵债。本就忙于选举和土豆节的小村庄里，上演了一出荒诞又可笑的好戏。影片时而如警匪片般扣人心弦，时而又如喜剧片令人忍俊不禁，塞浦路斯小村之景也在观众面前徐徐展开。

Kuso no Sora Tobu Kikaitachi (Imaginary Flying Machines) is a 2002 Japanese animated short film produced by Studio Ghibli for their near exclusive use in the Ghibli Museum. It features director Hayao Miyazaki as the narrator, in the form of a humanoid pig, reminiscent of Porco from Porco Rosso, telling the story of flight and the many machines imagined to achieve it.

医师马科斯说服了弟弟大卫，跟他一起征服落矶山脉；但在做体能检查时，马科斯发现大卫脑中有肿瘤。他要如何告知大卫？他们能成功的登陆落矶山脉吗？

When the first manned mission to Mars disappears and its crew explorer vehicle crashes onto the Brown's wheat farm, what Ben discovers leads him to build a flying machine that will change his final high school year and the world forever.

A measured, evenly paced, extremely controlled, psychologically mesmerizing film about a doctor's split with his wife, and his subsequent return to his Communist homeland, brilliantly underplayed by Rudolf Hrusinsky, a man in real life who was blacklisted in Czechoslovakia for his anti-Communist leanings, and only the slightest movement in his face could ever be detected. But he was superb in this role, his dignity challenged at every turn, but always remaining intact. He is introduced to a countryside clinic by the local Communist lackey, his quarters are spare and without possessions. Immediately, as the outsider, he is the object of the entire town's suspicion, represented in a single scene where he is smoking potatoes, something he must have learned as a child, in a small attempt to gather some semblance of himself. Yet across the landscape a cry is heard for him to put out the fire; that's not allowed; what is he, crazy? Every attempt to help someone is met with whispers behind his back and with the town's scorn. The psychological pressure to allow so little to be shown, always holding everything inside, as who knows, someone near could, and would use any piece of information against you. This film reminded me of some of the early Kieslowski films, such as the rarely seen CURRICULUM VITAE, where in that film the Communist Party pressure is relentless to obtain confessions from your neighbors for the most ordinary actions of men. To live under the pressure of such a constant cloud of suspicion, where the Party representative is rarely even seen or heard, is wonderfully transparent in this film. - cranesareflying, imdb

《飛行器、霜毛蝠、逝者證言》以海軍第六燃料廠新竹支廠遺址为创作背景。这是一间二战时期的军工工厂，借助台湾总督府工业研究所发酵工业部研发的丁醇生产技术，生产航空器所用燃料。历经战火摧残，废弃建筑上的无数弹痕见证着它的过往。在这件作品里，艺术家借助空拍机的独特视角进行拍摄，空拍机既是裸露的摄影器具，又作为影片中的“演员”以拟人化形式呈现。除了空拍机拍摄的画面，作品素材还有其他来源。一是大烟囱内的霜毛蝠画面，霜毛蝠主要分布在日本、韩国和中国大陸华北等高纬度地区，不知为何，近几年每年五月至七月，这种北方物种都会到军工工厂的大烟囱里产子，这里也成了台湾唯一的霜毛蝠栖息地。二是二战期间的轰炸机影像资料，当时美中盟军轰炸台湾，随着政权转移，这段历史也被掩盖。艺术家以飞行物意象贯穿作品，工厂曾用于生产……

凤女是村子里的漂亮姑娘，因家境贫寒，被父母卖给了一个又馋又懒、整天喝酒睡觉的中年男人为妻。为维持生计，她到一个盐场去做又脏又累又挣不到多少钱的工作。但是当她被盐场主占有后，她发现肉体的交换可以带来少劳作却多拿钱的待遇。于是她开始想尽办法勾引男人，先是小商店老板，从此她不愁酒肉，应有尽有，然后是警察局长，通过他救出了她犯事被押的丈夫，后来又勾引一个姓王的地主，以逃避偷土豆的责罚。可是王地主只是玩弄凤女，又悄悄与别人订了婚，凤女知道后，到地主的婚宴上闹事，结果反被打死。这桩人命案开审后，因为参与审理此案的警察局局长、商店老板、医生等人大多曾与凤女有染，所以王地主最后以付给所有有关人员若干赔偿费，又付给凤女丈夫80元作为了了结。

Bok-nyeo gets married to a poor Joseon's aristrocart and lives a hard life to survive. She pays her family's living by catching caterpillars in a forest reserve. But she loses her job in the reserve and her husband disappears after borrowing money from a Chinese.