17世纪的芬兰遍地饥民，穷小子乌塔莫偶然获得一枚土豆，从此开启了他的创业之路。这是活跃于电视圈的芬兰导演乔纳·特纳的最新喜剧片。他非常擅长抓住类型片的娱乐精髓，将集资、品牌、众筹等现代商业和市场营销的套路，以戏谑的方式融入17世纪初欧洲资本主义刚刚萌芽阶段的故事背景。

凤女是村子里的漂亮姑娘，因家境贫寒，被父母卖给了一个又馋又懒、整天喝酒睡觉的中年男人为妻。为维持生计，她到一个盐场去做又脏又累又挣不到多少钱的工作。但是当她被盐场主占有后，她发现肉体的交换可以带来少劳作却多拿钱的待遇。于是她开始想尽办法勾引男人，先是小商店老板，从此她不愁酒肉，应有尽有，然后是警察局长，通过他救出了她犯事被押的丈夫，后来又勾引一个姓王的地主，以逃避偷土豆的责罚。可是王地主只是玩弄凤女，又悄悄与别人订了婚，凤女知道后，到地主的婚宴上闹事，结果反被打死。这桩人命案开审后，因为参与审理此案的警察局局长、商店老板、医生等人大多曾与凤女有染，所以王地主最后以付给所有有关人员若干赔偿费，又付给凤女丈夫80元作为了了结。

Bok-nyeo gets married to a poor Joseon's aristrocart and lives a hard life to survive. She pays her family's living by catching caterpillars in a forest reserve. But she loses her job in the reserve and her husband disappears after borrowing money from a Chinese.

小镇凭空出现数个大洞，没有人知道它是什么，从哪里来。接着人头攒动，所有人都在以洞为借口做平时想做的事。

A measured, evenly paced, extremely controlled, psychologically mesmerizing film about a doctor's split with his wife, and his subsequent return to his Communist homeland, brilliantly underplayed by Rudolf Hrusinsky, a man in real life who was blacklisted in Czechoslovakia for his anti-Communist leanings, and only the slightest movement in his face could ever be detected. But he was superb in this role, his dignity challenged at every turn, but always remaining intact. He is introduced to a countryside clinic by the local Communist lackey, his quarters are spare and without possessions. Immediately, as the outsider, he is the object of the entire town's suspicion, represented in a single scene where he is smoking potatoes, something he must have learned as a child, in a small attempt to gather some semblance of himself. Yet across the landscape a cry is heard for him to put out the fire; that's not allowed; what is he, crazy? Every attempt to help someone is met with whispers behind his back and with the town's scorn. The psychological pressure to allow so little to be shown, always holding everything inside, as who knows, someone near could, and would use any piece of information against you. This film reminded me of some of the early Kieslowski films, such as the rarely seen CURRICULUM VITAE, where in that film the Communist Party pressure is relentless to obtain confessions from your neighbors for the most ordinary actions of men. To live under the pressure of such a constant cloud of suspicion, where the Party representative is rarely even seen or heard, is wonderfully transparent in this film. - cranesareflying, imdb

宁静祥和的蔬菜村里，住着萝卜、白菜、番茄、黄瓜等可爱的蔬菜居民，憨厚热心的土豆先生是村里最受欢迎的一员。土豆先生性格踏实稳重，总爱主动帮助身边的小伙伴解决各种麻烦：帮胡萝卜修补倒塌的小木屋，劝导调皮捣蛋的小辣椒遵守村规，在暴雨来临前带领大家加固菜园围栏。日常充满温馨有趣的小插曲，偶尔也会遇到虫害侵袭、大风灾害等危机。每当蔬菜村遇到困难，土豆先生都会挺身而出，用耐心与担当守护整片菜园。在一次次互帮互助的经历里，所有蔬菜邻里和睦相处，共同守护着充满欢声笑语、温暖治愈的蔬菜小村庄。

马路边的一块菜地下，住着土豆一家人。小土豆“来了”古灵精怪、乐于助人。在大蒜妈妈的托管室，他认识了洋葱哈哈和萝卜小白两个好朋友，还有一大群活泼可爱的蒜宝宝。他们经常会捡到一些人类丢弃在管道中的小物件来帮助别人，从而引发一系列温馨搞笑的故事。当地下闯入爱搞破坏的田鼠，小土豆“来了”又借助自己的智慧，想出各种奇妙的办法，带领小伙伴和田鼠斗智斗勇。就这样，小土豆和小伙伴们在这种互帮互助，偶尔充满危机的环境中快乐地成长着。

荷兰导演阿丽娜·冯·德·霍斯特继承了母亲的遗产——一座位于俄罗斯农村、面积仅六平方米的破旧木房子，这房子是她母亲儿时居住的小木屋的六分之一。她深感生活的重担，决心踏上探寻过往之路，回到母亲及其五位姐妹的童年时代——斯大林统治下的苏联。在那里，她看到她们与恐惧苦苦抗争，饱受饥饿与战乱之苦，灵魂满是创伤。