埃斯米和罗伊是最好的朋友，也是怪兽镇里最好的小怪兽看护。学龄前的孩子们一定会喜欢跟埃斯米和罗伊一起历经冒险，在轻松愉快的氛围里一起学习如何克服巨大的挑战。在玩耍的同时，埃斯米和罗伊会教导并帮助孩子们情绪控制，使用正向的力量自信地前进。

埃斯米和罗伊是最好的朋友，也是怪兽镇里最好的小怪兽看护。学龄前的孩子们一定会喜欢跟埃斯米和罗伊一起历经冒险，在轻松愉快的氛围里一起学习如何克服巨大的挑战。在玩耍的同时，埃斯米和罗伊会教导并帮助孩子们情绪控制，使用正向的力量自信地前进。

萨摩蒂曾经是一个充满魔法的世界，但天神洛基偷走了这里的魔法，使这里变得荒芜、战乱、怪兽横行。罗伊为了让自己的白虎恢复魔力而寻找魔法书，巧遇了魔术师齐格弗里德。他们无意中放出了被宙斯封印的贪婪、妒忌、骄傲和欲望，使洛基利用这些打败勒宙斯。两人在白虎的帮助下，与洛基斗法，重新封印了恶灵，天庭恢复了秩序，他们继续踏上了寻找魔法的旅程。

卡比尔·格雷瓦（阿俊·拉姆鲍饰）是一位导演兼剧作家，还是个情场浪子，他创作了电影《枪》三部曲。当卡比尔前往马来西亚拍摄《枪3》时，邂逅了来自伦敦的新晋女导演阿耶莎·阿米尔（杰奎琳·费尔南德斯饰），并坠入爱河。然而，在阿耶莎知晓卡比尔的风流过往后，她选择了离去……另一个故事里，罗伊（兰比尔·卡普尔饰）为了窃取一幅画，接近了画的女主人提娅（杰奎琳·费尔南德斯饰）。没想到两人感情升温后，罗伊偷走画离开了……卡比尔能否重新赢回阿耶莎的心？罗伊是否会回来找提娅？这两个故事之间又有着怎样的关联？敬请关注《罗伊》，一同揭开谜底！

Special Branch Inspector Krishna (Salim Ghouse) has been assigned the task of apprehending Raghav (Nagarjuna), a notorious hitman, in the employ of J.P. Sethi (Danny Denzongpa), which he accepts. The Mayor (Akash Khurana) has taken a special interest in this case, and has issued intructions to Krishna, authorizing him to deal with this matter fully. A few days later, the Mayor is assasinated. When pressure mounts on J.P. Sethi to turn in Raghav, he instead pays another man to confess for the assasination, thus leading to the closure of this file. But Krishna is not convinced, and is sure that Raghav is behind the Mayor's assasination. Krishna has a sister, Bhavana (Urmilla Matondkar), who is in love with Shekhar. When Krishna finds out about this, he asks Bhavana to stop seeing Shekhar, as Shekhar is another alias for the cold-hearted killer Raghav.

A clan chief seeks revenge on the jealous Duke who outlawed him.

卡门（罗西·罗德里格斯 Rosy Rodríguez 饰）是生活在马德里的吉普赛女孩，她出生于一个非常封建的家庭之中，在那里，每一个女孩子从刚出生起，就背负上了为家族传宗接代的命运枷锁，这让卡门感到不解和窒息，但她明白，仅凭她一人之力，绝对无法推翻肩上背负的大山。 一次偶然中，卡门结识了名叫罗拉（赛依拉·罗梅罗 Zaira Romero 饰）的女孩，她从来没有见过任何一个吉普赛女孩像眼前这个姑娘一样的奔放和自由。罗拉内心里对自幼的热爱和渴望渐渐的感染了卡门，两人之间产生了惺惺相惜的感情，当然，这段感情是一定不会得到卡门家人的承认的。

只有法国人才能拍出这样的电影,就像<天使爱米莉>一样... This is a beautiful French Surrealist film about what makes us human and what makes life worth living. The two main characters are a boy and girl of about 10 who, due to some indeterminate immune deficiency, have lived their entire lives in plastic bubbles, isolated from the natural world and their own natural developmental influences. Nevertheless, their humanity blossoms even without nurturance, within themselves and toward each other -- yearning, stretching, reaching until it can no longer be contained by even the most constricting and ugly environment. The children are intentionally semi-allegorical: naked, their hairless bodies and shaven heads hide nothing. They are elemental, undecorated and unadulterated human beings, and when they touch each other the contact is so primal that we all shiver. This film is a masterpiece of direction (Bertrand Arthuys) and cinematography (Francois Catonne), and the children were superb. I was sad to see that neither of them continued to act in film. As for the twists and turns of the plot, and a rather unexpected (to me) ending, I shall say no more, except that you will find nothing disappointing here, from the first scene to the last.