通过普通士兵的眼睛来看斯大林格勒战役 他们没有权利要求什么，即使他们知道自己的灾难性后果。 他们刚刚走上战场，失去朋友，坠入爱河，梦想着······

这部纪录片讲述了三兄弟被派往阿富汗，参加清理路边炸弹任务的故事，导演运用有限的镜头向我们展现了硝烟战火的残酷，更凸显了兄弟手足之间的友情，深深触动了人们的神经。

They come from all over the world but they have one thing in common: The Foreign Legion, their new family. The film tells their stories: of women struggling to keep their love alive, men who leave for battle, and couples forming on hostile ground.

暂无英文版的简介，请添加内容帮助我们完善数据库。

The action takes place in a certain military unit, in the city near it, in characters's apartments. The life and attitudes of soldiers, sergeants, warrant officers, officers and their closest associates are shown.

暂无剧情简介

苏联军官Pavel志愿前往越南，支援当地情报组织。在一次秘密暗杀行动里，他与女教师莲梅（张胡芳娥饰演）搭档执行任务。令人惋惜的是，两人在合作过程中产生了爱情，而此时也到了Pavel结束任务回国的日子……

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

目睹一名陆军士兵的崛起，他意识到自己的命运，并在与内心的恶魔和外部敌人作战时，成为印度第一名为打击恐怖分子而创建的超级士兵

1995, 12 min., colour, BETACAM SP North Foundation camera: Alexander Burov sound: Sergei Moshkov Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. The first screening of this film took place in Oberhausen. Alexander Sokurov This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into “a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.