Two hundred years after Simon Bolívar’s campaign to liberate Colombia, The Soldier’s Lagoon retraces his journey across the high-altitude marshlands, searching for glimpses of his ghost in this historically contested territory. As we navigate the terrain through the dense fog that seems suspended in the air, a lush ecosystem saturated with a myriad of oral narratives emerges—one that provokes timely and timeless questions about colonialism, indigeneity and land dominance. The film assembles striking 16mm landscape footage, a sophisticated soundscape, sourced archival passages read in voice-over, and testimonies from preservationists to unearth a patient study of living and elusive archive, gracefully exploring the complicated intersection of oral narratives, political outcomes, and territory. Documenting a region facing very real and urgent environmental repercussions that are a direct result of its historical narratives, this poetic and atmospheric work holds, above all its revelations, a deep reverence for the sacredness of land and its future.

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The action takes place in a certain military unit, in the city near it, in characters's apartments. The life and attitudes of soldiers, sergeants, warrant officers, officers and their closest associates are shown.

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苏联军官Pavel志愿前往越南，支援当地情报组织。在一次秘密暗杀行动里，他与女教师莲梅（张胡芳娥饰演）搭档执行任务。令人惋惜的是，两人在合作过程中产生了爱情，而此时也到了Pavel结束任务回国的日子……

“我”的小姑带着两岁的表妹回到中国，在湖边待了几天；“我”决定把这些拍下来。

高级血案和性犯罪检查员塔拉斯·比尔萨（Taras Birsa）在参加完新年派对回家的路上，无意间卷入了一起谋杀案调查。这起年轻女子被杀案十分棘手且异常残忍，应上级要求，塔拉斯和他配合默契的团队不得不与一位新同事共事。在公众的压力下，塔拉斯还面临着个人……

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

目睹一名陆军士兵的崛起，他意识到自己的命运，并在与内心的恶魔和外部敌人作战时，成为印度第一名为打击恐怖分子而创建的超级士兵

1995, 12 min., colour, BETACAM SP North Foundation camera: Alexander Burov sound: Sergei Moshkov Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. The first screening of this film took place in Oberhausen. Alexander Sokurov This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into “a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.