Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

刚出狱的何永恒为还债入职南山殡仪馆担任夜班管理员，随神秘老板张三坟，凭《夜班管理手册》处理碎尸案时，意外揭开祁家残杀至亲炼长生尸的惊天阴谋，他焚毁权贵长生梦，开启守护阴阳秩序的热血传奇。开启守护阴阳秩序的热血传奇

The Night and the Moment is a 1995 erotic drama. A writer (Dafoe) is invited to the house of a noblewoman (Olin) who adores free-thinkers. He attempts to seduce her but she insists that he tell her of his past love exploits. While doing so, he takes her through his time in prison where he was unknowingly incarcerated in the cell beside hers.

塞达特的秘密服务代理，夹在工作和私人生活问题，花费相当困扰的日子。前段时间，科长这显然不是谋杀了他爱的女人从心脏矿耶尔德勒姆的破坏是一个神秘的方式连接到中间的消失，他的生活变成了一场噩梦。 萨达特被杀害了自己的组织认为耶尔德勒姆耶尔德勒姆被平息组织的承诺，他认为原因。所有这些危机期间，和他的家人在dolduramadığı关闭与一个人的差距。没有学生矿，萨达特的生活已经粘连的唯一依据。但现在有，所有的爱，生命进入了一个接一个。

2012年第65届戛纳电影节导演双周的作品，提名第25届欧洲电影奖最佳电影。本片由戈雅奖最佳导演海梅·罗萨莱斯执导，故事围绕一个原本幸福美满的家庭展开，一场事故让家庭发生巨变，生活从幸福逐渐走向灰暗。影片深入探讨人性与家庭的真正意义，面临破碎边缘的家庭，能否守护孩子的梦想与爱，重新找回快乐与美好呢……

江棠穿书成反派大佬的炮灰亲妈，注定虐子觊觎霸总，惨死收场？不，她偏要改命！本想捞钱跑路，却反被纯情老婆脑沐庭州宠上天。崽崽要宠，霸总要薅，开局就Slay全场，原本高冷的霸总逐渐变成奶狗提款机，而她穿书的真相也逐渐浮出水面……

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. berlinale 2016

苏芝兰倾尽嫁妆照顾瘫痪婆婆，牺牲女儿前途帮扶婆家。拆迁分房，婆婆却将两套房产尽数分给前儿媳的儿子，母女惨遭羞辱，苏芝兰怒而离婚。前夫偏袒前妻，母女被迫净身离家。苏芝兰凭借专业证书求职，邂逅受伤的霍氏总裁霍霆风，得到倾心相待。陈家失去照料乱象丛生，造谣网暴、伪造死讯逼她复婚。庭审现场证据确凿，苏芝兰胜诉，成功追回欠款与财产。