Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”

黄沙之地，抗倭志士追马流落至此，开一客栈聊度余生。仇人之女白鹿携宝箱逃命至此，新仇旧恨，天赐良机，本可除之后快，然面对箱中所托抗倭机密，为民族大义，追马放弃仇恨，忍受误解，以命相护，终圆未竟报国之梦。

故事发生在明朝未年。杨独行（杨鸣健 饰）武功盖世，却从不过问江湖恩怨。一日，白莲教大师兄之弟李天仇（周国宾 饰）因故在自家沾毒酒丧命，视名声为天大的杨独行誓言找出投毒的真凶。他找到白莲教二师兄刘黑虎（赵小锐 饰）质问，刘辩称有人从中挑唆，待查清原委再说。当日深夜，贼人行剌杨独行未果。次日清早，四海镖局王大海（邢伟勇 饰）之子王少东（姜光成 饰）前来送所押银两，从刘黑虎口中得知，河涧大侠郭子玉（周文伟 饰）武功已废，杨独行让王少东带路去见其父王大海，不料半路少东被刘黑虎手下杀害。杨独行对刘黑虎如此毒辣心感骇然，他决定涉足江湖，为民除害......

冷链技术骨干陆川坚守职业操守，自费抢救百万货品，拿下重磅合作，却因按规章办事遭受处罚。前公司片面追求效益，随意缩减成本更改配送规范，日渐衰败。他坚守底线，跳槽后凭扎实能力，收获事业上的肯定。

辛月桃带着前世惨死的记忆重生，回到花轿错抬那一天。前世她痴恋楚归宁，父兄战死、家族蒙冤，自己被磋磨至死，而他到死都只求与白月光沈朝薇合葬。这一世她心死断念，主动求嫁注定战死的宋泽煜，只想护家保命。可她不知道，楚归宁也带着前世悔恨重生，偏执认定她才是此生唯一！他为白月光囚她、辱她、碎她遗物，逼她为妾；而她以为会战死的冷面将军，却早已对她一见倾心，拿命护她。当她身披红妆嫁与良人、受尽独宠时，楚归宁才

女孩独自行走于深夜街巷，幽暗灯光与寂静环境下，潜藏的视线与脚步声悄然逼近。她内心的不安与恐惧如影随形，现实与幻象交织成梦魇。短片以水墨风格展现女性夜路中的心理挣扎，描绘一场关于警觉与自我保护的“夜行”。

A bank employee dissatisfied with the casualness and secrecy of her relationship with her boyfriend, a superior at work, is suddenly given a few days of vacation.

实验纪录片《夜行》是一部由夜景照片、导演自己画的简笔素描，以及朝鲜时代文人诗作构成的风景电影，没有任何人物出现。导演SOHN Koo-yong之前从事照片摄像，后转向电影，但比起电影仍更偏向使用其他媒介。

一对年轻的上班族夫妇开车外出时遭遇了一场事故。这使他们陷入了两难境地，一边是调查事故的警察，另一边是对他们紧追不舍的腐败政治势力。